Startling, Unusual Sensation

S. Smith
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Abstract

Before leaving RKO in late 1932, David O. Selznick greenlit the studio’s most costly and ambitious production: King Kong. The result was a landmark in Hollywood special effects and storytelling; its influence continues today, in the fantasy/action films that dominate the industry. Just as significantly, Kong inspired a Steiner score that is still cited by many directors, screenwriters, and composers as the work that first made them aware of the power of film music. This chapter aims to provide a definitive account of the score’s creation, from Steiner’s use of lyrical melodies and startling dissonance to humanize and add credibility to the title character; through the challenges of recording music whose orchestral richness tested the limits of 1933 sound technology. King Kong’s box office success, at the height of the Depression, temporarily saved RKO. It also launched Steiner into a new era of creative experimentation.
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令人吃惊的、不寻常的感觉
在1932年底离开RKO之前,大卫·o·塞尔兹尼克(David O. Selznick)为工作室最昂贵、最雄心勃勃的作品《金刚》(King Kong)开了绿灯。其结果是好莱坞特效和叙事的里程碑;时至今日,它的影响力仍在幻想/动作电影中占据主导地位。同样重要的是,孔令海启发了斯坦纳的配乐,许多导演、编剧和作曲家仍然认为这是他们第一次意识到电影音乐的力量。这一章的目的是提供一个配乐创作的明确说明,从施泰纳使用抒情旋律和惊人的不和谐来人性化和增加标题人物的可信度;通过录制音乐的挑战,其丰富的管弦乐测试了1933年声音技术的极限。在大萧条时期,《金刚》的票房成功暂时拯救了RKO。这也让斯坦纳进入了一个创造性实验的新时代。
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