The Third Culture Space: Liminal Cultural Identity of Indian Women Migrants In UAE

Harshini Raji VP, Dr Uma Maheswari P
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Abstract

Indians began emigrating to Gulf countries in the 1970s – the era of the discovery of oil. When people move from one geographical or political border to another, they carry the culture and traditions of their homeland. In the host land, migrants develop nostalgia for their homeland and reminisce of it through culture, traditions and material objects associated with the homeland. This research applies the theory of transnational cultural hybridity to understand the adaptation of migrants’ moving cultural identities; in this case, the women Indian diaspora in the UAE. Women are considered to be cultural torchbearers in the migrant population; the paper assesses how they inhabit the dichotomous and liminal third space of culture. It is understood they ascertain the ‘third space’ and are seen to be ‘longing’ for the homeland by bringing back fragments of India in the form of spices, religious symbols and attire and temporary migration triggers intense longingness.
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第三文化空间:阿联酋印度女性移民的文化认同
印度人从上世纪70年代开始向海湾国家移民——那是发现石油的年代。当人们从一个地理或政治边界迁移到另一个边界时,他们携带着祖国的文化和传统。在东道国,移民对祖国产生了怀旧之情,并通过与祖国有关的文化、传统和实物来追忆祖国。本研究运用跨国文化混杂理论来理解移民流动文化认同的适应;在这个例子中,是在阿联酋的印度女性。妇女被认为是流动人口中的文化火炬手;本文评估了他们如何栖居于二分和有限的第三文化空间。可以理解的是,他们确定了“第三空间”,通过带回香料、宗教符号和服装等形式的印度碎片,被视为对祖国的“渴望”,而临时迁移引发了强烈的渴望。
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