Exploring Preservice Music Teachers’ Self-Reflections: A Comparison of Immediate and Video Reflections

IF 1.1 Q3 EDUCATION & EDUCATIONAL RESEARCH Journal of Music Teacher Education Pub Date : 2023-11-14 DOI:10.1177/10570837231208224
Kim Barclift, Rebecca B. MacLeod
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Abstract

The purpose of this study was to compare preservice music teachers’ self-reflections about their teaching from two perspectives: immediate reflection and video reflection. Preservice music teachers’ reflections were analyzed, and 22 codes emerged. Our analysis of the preservice music teachers’ reflections found that the 22 codes aligned with self, task, and student impact concerns as outlined by Fuller and Bown (1975). Preservice music teacher reflections focused primarily on task concerns (1,137), followed by self-concerns (441) and student impact concerns (343). A significant difference was found between immediate and video reflections for self-concerns ( W = −98 p = .02) but not for task or student impact concerns. Self-concerns about musical leadership, teacher talk, and teacher delivery were mostly noted following video reflections, while concerns of student engagement, student success, teaching strategies, student assessment, and feedback were referenced immediately following their lesson.
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职前音乐教师自我反思之探讨:即时反思与影像反思之比较
本研究的目的是比较职前音乐教师的教学自我反思,从两个角度:即时反思和视频反思。对职前音乐教师的反思进行分析,得出22条准则。我们对职前音乐教师反思的分析发现,富勒和鲍恩(1975)概述的22个准则与自我、任务和学生影响问题一致。职前音乐教师的反思主要集中在任务关注(1137),其次是自我关注(441)和学生影响关注(343)。即时反思和视频反思在自我关注方面存在显著差异(W = - 98 p = 0.02),但在任务或学生影响方面没有显著差异。自我关注的音乐领导力、老师的谈话和老师的演讲主要是在视频反思后注意到的,而学生参与、学生成功、教学策略、学生评估和反馈的关注是在他们的课程结束后立即提到的。
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来源期刊
Journal of Music Teacher Education
Journal of Music Teacher Education EDUCATION & EDUCATIONAL RESEARCH-
CiteScore
1.90
自引率
41.70%
发文量
27
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