A Study on the Design of Saenghwal Hanbok using the Traditional Collarless Baeja in the Joseon Dynasty

In-Sun Lee, Jeong-Ah Kim
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Abstract

With the introduction of Western culture in the late 1900s, attempts have continued to improve the inconvenience of traditional hanbok and transform it into a new design. Since then, Western clothes have become common, and people wear hanbok less frequently. The “Saenghwal Hanbok” concept emerged in the late 1980s. When the Saenghwal Hanbok brand was first created, it received little attention from young people. However, since the 2000s, Saenghwal Hanbok design, which drastically transforms the structure of traditional hanbok and utilizes various materials and patterns, has become a new category of the hanbok market. Recently, with the creation of new distribution channels through Internet shopping malls and social media, the area of activities for new designers of Saenghwal Hanbok brands is expanding. Attempts to combine elements of traditional hanbok with fashion trends are growing, attracting attention worldwide along with the Korean Wave. Therefore, in this study, we intend to design a Saenghwal Hanbok using the ’Baeja,’ one of the most utilized traditional hanboks. For this purpose, six Saenghwal Hanboks were designed using a collarless type of baeja, among the baeja styles of the Joseon Dynasty. The collarless style of baeja allows for various styles, depending on the inner layer beneath other garments. The primary materials used in Saenghwal Hanbok baeja were traditional materials such as ramie and organza, and linen and silk were also partially used. Additionally, some of the traditional materials were colored using natural dyeing methods, and the colors of the materials used together were selected to harmonize with each other. This study proposed a new Saenghwal Hanbok baeja design and a method of styling it with other clothes. Due to the nature of the material, it is challenging to wear in winter, and the partially matched natural dyeing material has a beautiful color. Still, it has yet to be used in a large area due to the scarcity of the fabric. Future follow-up studies will expand the design items and suggest various utilization methods.
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利用朝鲜传统无领袍设计盛华韩服的研究
随着20世纪后期西方文化的传入,人们不断尝试改善传统韩服的不便之处,并将其转变为新的设计。从那时起,西方服装变得普遍,人们很少穿韩服。“生化韩服”的概念出现于20世纪80年代末。盛华韩服品牌刚创立时,并没有受到年轻人的关注。但是,从2000年代开始,利用多种材料和图案,大幅改变传统韩服结构的盛华韩服设计成为韩服市场的新品类。最近,随着网络购物中心和社交媒体(sns)等新的流通渠道的建立,生化韩服品牌新设计师的活动范围正在扩大。随着韩流的兴起,将传统韩服的元素与流行趋势相结合的尝试越来越多。因此,在本次研究中,我们打算利用最常用的传统韩服之一“白子”来设计盛华韩服。为此,六件盛化韩服都采用了朝鲜时代的无领百子样式。baeja的无领风格允许各种风格,取决于其他服装下面的内层。生化韩服的主要材料是苎麻和欧根纱等传统材料,也使用了部分亚麻和丝绸。此外,对一些传统材料采用自然染色的方法进行上色,并对材料的颜色进行选择,使其相互协调。此次研究提出了一种新的生化韩服长袍设计和与其他衣服搭配的方法。由于材质的性质,冬天穿起来很有挑战性,部分搭配的天然染色材质,色彩艳丽。然而,由于织物的稀缺性,它还没有在大范围内使用。未来的后续研究将扩大设计项目,并提出各种利用方法。
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