{"title":"Experiencing the cycles of love in teaching: the praxis of an early career Asian American ELA teacher","authors":"Kelli A. Rushek, Saba Khan Vlach, Tiphany Phan","doi":"10.1108/etpc-08-2022-0099","DOIUrl":null,"url":null,"abstract":"Purpose Early career teachers (ECTs) of Color are key in making change, resisting racism and pushing back against white supremacy in K-12 education, specifically in English Language Arts (ELA) classrooms. Through a narrative telling inquiry (Clandinin and Connelly, 2000) of Nora, an Asian American ELA ECT in the Midwest, and by drawing on Fisher’s (2011) Critical Integral Pedagogy of Fearlessness, this study aims to recognize the narrative power within teaching praxis as Nora stories herself toward becoming a critical pedagogue. Design/methodology/approach Using narrative inquiry methodology and methods (Clandinin and Connelly, 2000), the authors simultaneously considered the commonplace tenets of narrative inquiry – temporality, sociality and place – of the intertwined relationships of the participants and observers. The field texts included in the corpus of data include myriad tellings of Nora’s experiences in her initial years of teaching ELA. Data were analyzed in stages of parsing out narrative blocks and structures. Findings The findings indicate that Nora, as an ECT, went through recursive cycles of fear as conceptualized by Fisher (2011) – bravery, courageousness and being fear-less – of working toward radical love (Hooks, 2000) within her ELA instruction. The authors argue that Nora confronted her personal and professional fears as she strove to become a critical pedagogue in her ELA classroom. Originality/value Current scholarship portrays ECTs as lacking agency in their development and/or effectiveness in the classroom and little is said about Asian American ELA ECTs and critical instruction. The authors present Nora’s counter-narrative to make visible what is right with ELA ECTs, specifically teachers of Color, as they transform their fear into courage to fight for educational equity.","PeriodicalId":45885,"journal":{"name":"English Teaching-Practice and Critique","volume":"62 19","pages":"0"},"PeriodicalIF":0.8000,"publicationDate":"2023-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"English Teaching-Practice and Critique","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1108/etpc-08-2022-0099","RegionNum":4,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"EDUCATION & EDUCATIONAL RESEARCH","Score":null,"Total":0}
引用次数: 0
Abstract
Purpose Early career teachers (ECTs) of Color are key in making change, resisting racism and pushing back against white supremacy in K-12 education, specifically in English Language Arts (ELA) classrooms. Through a narrative telling inquiry (Clandinin and Connelly, 2000) of Nora, an Asian American ELA ECT in the Midwest, and by drawing on Fisher’s (2011) Critical Integral Pedagogy of Fearlessness, this study aims to recognize the narrative power within teaching praxis as Nora stories herself toward becoming a critical pedagogue. Design/methodology/approach Using narrative inquiry methodology and methods (Clandinin and Connelly, 2000), the authors simultaneously considered the commonplace tenets of narrative inquiry – temporality, sociality and place – of the intertwined relationships of the participants and observers. The field texts included in the corpus of data include myriad tellings of Nora’s experiences in her initial years of teaching ELA. Data were analyzed in stages of parsing out narrative blocks and structures. Findings The findings indicate that Nora, as an ECT, went through recursive cycles of fear as conceptualized by Fisher (2011) – bravery, courageousness and being fear-less – of working toward radical love (Hooks, 2000) within her ELA instruction. The authors argue that Nora confronted her personal and professional fears as she strove to become a critical pedagogue in her ELA classroom. Originality/value Current scholarship portrays ECTs as lacking agency in their development and/or effectiveness in the classroom and little is said about Asian American ELA ECTs and critical instruction. The authors present Nora’s counter-narrative to make visible what is right with ELA ECTs, specifically teachers of Color, as they transform their fear into courage to fight for educational equity.
在K-12教育中,特别是在英语语言艺术(ELA)课堂上,有色人种的早期职业教师(ECTs)是做出改变、抵制种族主义和反对白人至上主义的关键。通过对中西部美籍亚裔ELA ECT诺拉(Clandinin and Connelly, 2000)的叙事探究(Clandinin and Connelly, 2000),并借鉴Fisher(2011)的《无畏的批判整合教学法》(Critical Integral Pedagogy of fearless),本研究旨在认识到诺拉讲述自己成为一名批判性教育者的过程中,教学实践中的叙事力量。使用叙事探究的方法论和方法(Clandinin and Connelly, 2000),作者同时考虑了叙事探究的常见原则——参与者和观察者之间相互交织的关系——时间性、社会性和地点性。数据语料库中包含的现场文本包括诺拉在她最初几年教授ELA的经历的无数讲述。数据分析分叙事块和叙事结构的解析阶段进行。研究结果表明,作为一名电痉挛治疗者,诺拉在ELA指导下经历了Fisher(2011)所定义的恐惧递归循环——勇敢、勇敢和无所畏惧——朝着激进的爱努力(Hooks, 2000)。作者认为,诺拉面对她的个人和职业的恐惧,因为她努力成为一个关键的教师在她的ELA课堂。原创性/价值目前的学术研究将ECTs描述为在课堂发展和/或有效性方面缺乏能动性,很少提及亚裔美国人的ELA ECTs和批判性教学。作者通过诺拉的反叙事,让人们看到ELA ECTs,特别是有色人种教师的正确之处,他们将恐惧转化为为教育公平而战的勇气。
期刊介绍:
English Teaching: Practice and Critique seeks to promote research and theory related to English literacy that is grounded in a range of contexts: classrooms, schools and wider educational constituencies. The journal has as its main focus English teaching in L1 settings. Submissions focused on EFL will be considered only if they have clear pertinence to English literacy in L1 settings. It provides a place where authors from a range of backgrounds can identify matters of common concern and thereby foster broad professional communities and networks. Where possible, English Teaching: Practice and Critique encourages comparative approaches to topics and issues. The journal published three types of manuscripts: research articles, essays (theoretical papers, reviews, and responses), and teacher narratives. Often special issues of the journal focus on distinct topics; however, unthemed manuscript submissions are always welcome and published in most issues.