{"title":"Der Tod und der Blick","authors":"Adorján Kovács","doi":"10.1556/044.2023.00241","DOIUrl":null,"url":null,"abstract":"Abstract The Hungarian poet Sándor Petőfi was neither the nature boy oriented only to folk song nor the proto-socialist revolutionary as the German reception in the 19th and 20th centuries saw him. The short poems of the “Clouds” cycle published in 1846, for example, are aphoristically pointed pessimistic meditations. In the piece presented (Itt állok a rónaközépen…, Here I stand in the middle of the plain…), the speaker recognises the deep gulf between himself and “the other”. Both a death symbolism can be attributed to “the other” and Sartre's phenomenology of the gaze can be applied to his perception, revealing a complexity of Petőfi's poetry that suggests its reassessment.","PeriodicalId":35072,"journal":{"name":"Hungarian Studies","volume":"13 1","pages":"0"},"PeriodicalIF":10.4000,"publicationDate":"2023-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Hungarian Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1556/044.2023.00241","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"ENGINEERING, CHEMICAL","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract The Hungarian poet Sándor Petőfi was neither the nature boy oriented only to folk song nor the proto-socialist revolutionary as the German reception in the 19th and 20th centuries saw him. The short poems of the “Clouds” cycle published in 1846, for example, are aphoristically pointed pessimistic meditations. In the piece presented (Itt állok a rónaközépen…, Here I stand in the middle of the plain…), the speaker recognises the deep gulf between himself and “the other”. Both a death symbolism can be attributed to “the other” and Sartre's phenomenology of the gaze can be applied to his perception, revealing a complexity of Petőfi's poetry that suggests its reassessment.
匈牙利诗人Sándor Petőfi既不是只喜欢民歌的自然男孩，也不是19世纪和20世纪德国人所认为的原始社会主义革命者。例如，1846年出版的“云”系列的短诗，是警句式的悲观沉思。在这篇文章中(Itt állok a rónaközépen…，Here I stand In the middle of the plain…)，讲话者意识到自己与“他者”之间的鸿沟。死亡象征可以归因于“他者”，萨特的凝视现象学可以应用于他的感知，揭示Petőfi诗歌的复杂性，暗示其重新评估。
期刊介绍：
Hungarian Studies intends to fill a long-felt need in the coverage of Hungarian studies by offering an independent, international forum for original papers of high scholarly standards within all disciplines of the humanities and social sciences (literature, philology, ethnology, folklore, musicology, art history, philosophy, history, sociology, etc.) pertaining to any aspects of the Hungarian past or present. In addition, every issue will carry short communications, book reviews and miscellaneous information - all features of interest to the widening audience of Hungarian studies. Publishes book reviews and advertisements.
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