Transbaikal Painting of the 18th — the Early 20th Centuries: Periodization Problems

IF 0.1 N/A HUMANITIES, MULTIDISCIPLINARY Vestnik Sankt-Peterburgskogo Universiteta-Iskusstvovedenie Pub Date : 2023-01-01 DOI:10.21638/spbu15.2023.305
Ekaterina S. Lyashenko
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Abstract

The article is devoted to the research of Transbaikal painting history in the context of regional fine arts formation, artistic direction development. The Transbaikal art features are connected with region’s distance from cultural centers. Transbaikal painting has formed as result of penetration Russian art traditions and influence of regional national cultures. It’s possible to conditionally distinguish several stages in the history of Transbaikal painting. The first stage of formation (18th–19th centuries) was associated with creativity of visiting artists and with emergence of self-educated artists. The drawings were being made during the ethnographic expeditions in Siberia, also the Decemberists made their contribution. Besides, the icon painting was presented. The Transbaikal visual art heyday (the 2nd stage, 20th century) was presented with period of creativity and exhibition activities activation of the 20th century beginning, period of war years’ poster art, and period of realistic painting heyday. A lot of various in colorit landscapes were made in period of realistic painting heyday (the middle and second half of the 20th century). These are open spaces, steppes, roads, lyrical overcast landscapes, majestic north Transbaikalia and Buryatia mountains, landscapes of the Lake Baikal. The plot and historical paintings were being depicted scenes of Soviet reality, events of the region history and culture. Socialist realism was reflected in portraits and in subject painting, works of “austere style” were created. Individual artists with a pronounced style, manner stood out. Paintings were created with decorative, symbolic, ethnic motifs, impressionistic. At the present stage (beginning of the 21st century) artists of Transbaikalia create in the traditional and modernist direction, in the direction of ethnofuturism. Globalization processes, digitalization stimulate the penetration of creativity various forms into the region, and modern art projects begin to be implemented. System of art education traditions are emerging.
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跨贝加尔湖绘画的18 - 20世纪初:分期问题
本文致力于研究跨贝加尔湖画史在区域美术形成、艺术方向发展的脉络。跨贝加尔湖的艺术特色与该地区与文化中心的距离有关。跨贝加尔湖绘画是在俄罗斯艺术传统的渗透和地区民族文化的影响下形成的。有条件地区分跨贝加尔湖绘画历史上的几个阶段是可能的。形成的第一阶段(18 - 19世纪)与来访艺术家的创造力和自学成才的艺术家的出现有关。这些画是在西伯利亚的民族志考察中绘制的,十二月党人也做出了贡献。并进行了图标绘画。跨贝加尔视觉艺术全盛时期(20世纪第二阶段)呈现为20世纪初的创作和展览活动活跃时期、战争年代的海报艺术时期和现实主义绘画全盛时期。在现实主义绘画的鼎盛时期(20世纪中下半叶)创作了许多色彩各异的风景画。这些是开阔的空间,草原,道路,抒情的阴天景观,雄伟的北外贝加尔山脉和布里亚特山脉,贝加尔湖的景观。情节和历史绘画描绘了苏联的现实场景,该地区的历史和文化事件。社会主义现实主义体现在肖像画和主体画上,创作了“简朴风格”的作品。个别艺术家以其鲜明的风格、举止脱颖而出。绘画是用装饰性的、象征性的、民族的、印象派的主题创作的。在现阶段(21世纪初),外贝加尔艺术家的创作方向是传统和现代主义,是民族未来主义。全球化进程、数字化刺激各种形式的创意渗透到该地区,现代艺术项目开始实施。传统的艺术教育体系正在形成。
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来源期刊
CiteScore
0.20
自引率
50.00%
发文量
9
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