{"title":"THE RENAISSANCE GARDEN AND ITS CONTRADICTIONS","authors":"Nele Nutt","doi":"10.12697/bjah.2023.25.03","DOIUrl":null,"url":null,"abstract":"This article looks at the contradictory essence of the Renaissancegarden, which is reflected in the dialogue of the garden’s formand content, and which is in constant change. While the gardenof the Quattrocento with its formal language of rigid geometricrules stimulates free thought and the emotional world, remaininga modest background itself, the garden of the Cinquecento dictatesthe direction of thought and produces concrete frames for it. The
 thought of the Early Renaissance, boundlessly freewheeling in theworld of fantasy, is increasingly tied to the garden’s form. The gentleemotion of the inner world is suffocated by the intruders from theouter world and the garden that carried the free thought of EarlyRenaissance becomes an area of restraint.","PeriodicalId":52089,"journal":{"name":"Baltic Journal of Art History","volume":"9 3","pages":"0"},"PeriodicalIF":0.1000,"publicationDate":"2023-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Baltic Journal of Art History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12697/bjah.2023.25.03","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
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Abstract
This article looks at the contradictory essence of the Renaissancegarden, which is reflected in the dialogue of the garden’s formand content, and which is in constant change. While the gardenof the Quattrocento with its formal language of rigid geometricrules stimulates free thought and the emotional world, remaininga modest background itself, the garden of the Cinquecento dictatesthe direction of thought and produces concrete frames for it. The
thought of the Early Renaissance, boundlessly freewheeling in theworld of fantasy, is increasingly tied to the garden’s form. The gentleemotion of the inner world is suffocated by the intruders from theouter world and the garden that carried the free thought of EarlyRenaissance becomes an area of restraint.
期刊介绍：
THE BALTIC JOURNAL OF ART HISTORY is an official publication of the Department of Art History of the Institute of History and Archaeology of the University of Tartu. It is published by the University of Tartu Press in cooperation with the Department of Art History. The concept of the journal is to ask contributions from different authors whose ideas and research findings in terms of their content and high academic quality invite them to be published. We are mainly looking forward to lengthy articles of monographic character as well as shorter pieces where the issues raised or the new facts presented cover topics that have not yet been shed light on or open up new art geographies.
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