Literature and Prophecy

Claudia Chantaca
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Abstract

Abstract This article analyzes Raquel Jodorowsky’s idea of poetry as revelation and examines the ludic aspects of her work, which functioned as a form of resistance to the canon. By focusing on her works Ajy Tojen [ The Creator of Light ] (1964) and Cuentos para cerebros detenidos [ Tales for Detained Brains ] (1974), this study highlights her relation to Latin American neovanguardias and explores her idea of the artist as a self-constructive individual. It also addresses her notion of Ajy Tojen , a mystical understanding of the poet as a person with the power to dissolve worn forms in order to seek a primordial expression and contribute to cosmic regeneration. Through an examination of her short stories, this study will show how she used different ludic strategies to desacralize literary and extra-literary genres.
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文学与预言
摘要本文分析了拉克尔·佐多洛夫斯基的诗歌启示思想,并探讨了其作品中作为一种对经典的反抗形式的滑稽方面。通过关注她的作品Ajy Tojen(《光的创造者》,1964)和Cuentos para cerebrodetenidos(《被拘禁的大脑的故事》,1974),本研究突出了她与拉丁美洲新守护者的关系,并探讨了她作为一个自我建构个体的艺术家的想法。它还阐述了她对Ajy Tojen的概念,这是一种对诗人的神秘理解,诗人有能力溶解磨损的形式,以寻求原始的表达,并为宇宙再生做出贡献。通过对她的短篇小说的研究,本研究将展示她如何使用不同的幽默策略来去除文学和非文学类型的神圣化。
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