{"title":"A Mexican Renascence","authors":"Louise Kane","doi":"10.1163/25896377-bja10005","DOIUrl":null,"url":null,"abstract":"Abstract This article explores the periodical contributions of the Mexican-Jewish writer and editor Anita Brenner (1905–1974). It argues that Brenner’s periodical contributions—primarily relating to art criticism and published in diverse outlets such as The Nation , Mexican Folkways , the Brooklyn Daily Eagle , and Mademoiselle —decenter ideas of Mexico as a site of peripheral avant-gardism and reveal how Brenner was a pioneer of a transnational and, in some ways, distinctly female avant-garde network.","PeriodicalId":495709,"journal":{"name":"Journal of avant-garde studies","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2023-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of avant-garde studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/25896377-bja10005","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract
Abstract This article explores the periodical contributions of the Mexican-Jewish writer and editor Anita Brenner (1905–1974). It argues that Brenner’s periodical contributions—primarily relating to art criticism and published in diverse outlets such as The Nation , Mexican Folkways , the Brooklyn Daily Eagle , and Mademoiselle —decenter ideas of Mexico as a site of peripheral avant-gardism and reveal how Brenner was a pioneer of a transnational and, in some ways, distinctly female avant-garde network.
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