{"title":"Recitations on the Threshold: The Ethics and Virtue Affects of Pakistani Shiʿi <i>Qaṣīda</i>","authors":"Timothy P. A. Cooper","doi":"10.5406/21567417.67.2.06","DOIUrl":null,"url":null,"abstract":"Abstract The style of recitation known as qaṣīda, popular among Shiʿi Muslims in the Pakistani province of Punjab, discloses love for the Ahl-e Bait, the family of the Prophet Muhammad, and rejection of those who harmed them. Examining the conditions through which the Shiʿa celebrate and disclose their faith, this article traces the recent history and contemporary form of a genre of panegyric recitation and its relationship with the different moral and affective thresholds that characterize the Pakistani Shiʿi majlis.","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":"19 1","pages":"0"},"PeriodicalIF":0.6000,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"ETHNOMUSICOLOGY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5406/21567417.67.2.06","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract The style of recitation known as qaṣīda, popular among Shiʿi Muslims in the Pakistani province of Punjab, discloses love for the Ahl-e Bait, the family of the Prophet Muhammad, and rejection of those who harmed them. Examining the conditions through which the Shiʿa celebrate and disclose their faith, this article traces the recent history and contemporary form of a genre of panegyric recitation and its relationship with the different moral and affective thresholds that characterize the Pakistani Shiʿi majlis.
期刊介绍：
As the official journal of the Society for Ethnomusicology, Ethnomusicology is the premier publication in the field. Its scholarly articles represent current theoretical perspectives and research in ethnomusicology and related fields, while playing a central role in expanding the discipline in the United States and abroad. Aimed at a diverse audience of musicologists, anthropologists, folklorists, cultural studies scholars, musicians, and others, this inclusive journal also features book, recording, film, video, and multimedia reviews. Peer-reviewed by the Society’s international membership, Ethnomusicology has been published three times a year since the 1950s.
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