Structural and Stylistic Components of the Comics in the Real Space of Formation of Spectacular Culture

Serhii Krykunenko
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 Keywords: comic, painting, ideogram, creolised text, spectacular forms, spectacular culture, audiovisual art, stage art, fashion show, stage and screen spectacle.","PeriodicalId":497790,"journal":{"name":"Vìsnik Deržavnoï akademìï kerìvnih kadrìv kulʹturi ì mistectv","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Vìsnik Deržavnoï akademìï kerìvnih kadrìv kulʹturi ì mistectv","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32461/2226-3209.3.2023.289785","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract

The purpose of the article is to identify and investigate the structural and stylistic components of the comics, its verbal and non-verbal components, as well as their use in the context of the formation of modern forms of stage and screen entertainment culture as a special visual phenomenon of today. The methodology is based on the use of dialectical, semiotic, analytical, and culturological methods for distinguish and systematise the structural-stylistic and compositional elements of the comics, which, thanks to their artistic features, are used in the formation of modern forms of stage and screen spectacular culture. The scientific novelty of the study lies in conducting the first cultural analysis of the synergy of comics and stage-screen forms of spectacular culture, as well as in the modern analysis and systematisation of the main compositional and structural-stylistic components of the comics; concepts such as "comic", "ideogram", and "creolised text" have been clarified and supplemented. Conclusions. The article reveals the peculiarities of modern varieties of the comics, as well as considers their influence on the formation of spectacular culture. The researched components of the comics, its verbal and non-verbal components, which are the basis of the general construction of the comics. The semiotic features of the use of ideograms, panels, phylacteries and creolised text in the composition of graphic stories are revealed, and the classification of the characteristics of pictorial lines is given. The use of structural and stylistic components of the comics as a special visual component in the real space of the formation of modern stage and screen forms of spectacular culture, namely in cinema, animated films, musicals, shows, and fashion shows, is considered. Keywords: comic, painting, ideogram, creolised text, spectacular forms, spectacular culture, audiovisual art, stage art, fashion show, stage and screen spectacle.
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壮观文化形成的真实空间中漫画的结构与风格构成
本文的目的是识别和研究漫画的结构和风格组成部分,它的语言和非语言组成部分,以及它们在现代舞台和屏幕娱乐文化形式形成的背景下的使用,作为当今特殊的视觉现象。该方法论以辩证、符号学、分析和文化学的方法为基础,对漫画的结构、风格和构成要素进行区分和系统化,这些要素由于其艺术特征,被用于形成现代舞台和银幕壮观文化形式。该研究的科学新颖之处在于首次对漫画与壮观文化的舞台银幕形式的协同作用进行了文化分析,并对漫画的主要成分和结构风格成分进行了现代分析和系统化;诸如“漫画”、“表意文字”和“克里奥尔文字”等概念已得到澄清和补充。结论。本文揭示了现代漫画品种的特点,并探讨了它们对壮观文化形成的影响。研究漫画的语言成分和非语言成分,它们是漫画整体结构的基础。揭示了在图画故事创作中使用表意文字、面板、造句和杂色文字的符号学特征,并对图画线条的特征进行了分类。利用漫画的结构和风格成分作为一种特殊的视觉成分在现实空间中形成现代舞台和屏幕形式的壮观文化,即在电影、动画电影、音乐剧、演出和时装表演中,被认为是。 关键词:漫画,绘画,表意文字,克里奥尔文字,壮观形式,壮观文化,视听艺术,舞台艺术,时装表演,舞台和银幕奇观。
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