On Migration, Exile, and Cosmopolitanism: A Brief Survey of South African Art Song

Nico de Villiers
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Abstract

One of the genres that comprise the different musics of South Africa is that of the art song. Imported through its European heritage, the art song has found a place in the portfolios of South African composers throughout the twentieth century. However, against the backdrop of its complicated history, South Africa’s art songs often seem to reflect themes of exile, inner struggle and nostalgia. This article contemplates how these themes resonate through South Africa’s complex history, and how they have subsequently been reflected in the genre of art song, with specific reference to songs by composers S. le Roux Marais, Hubert du Plessis, Arnold van Wyk, Peter Klatzow, Hendrik Hofmeyr, and Bongani Ndodana-Breen.
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论移民、流亡与世界主义:南非艺术歌曲概览
艺术歌曲是构成南非不同音乐的流派之一。通过其欧洲遗产的传入,这首艺术歌曲在整个二十世纪的南非作曲家的作品集中找到了一席之地。然而,在其复杂的历史背景下,南非的艺术歌曲似乎往往反映了流亡,内心斗争和怀旧的主题。本文思考这些主题如何在南非复杂的历史中产生共鸣,以及它们随后如何在艺术歌曲类型中得到反映,具体参考作曲家S. le Roux Marais, Hubert du Plessis, Arnold van Wyk, Peter Klatzow, Hendrik Hofmeyr和Bongani Ndodana-Breen的歌曲。
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