Eye of the kaiju

IF 0.2 0 FILM, RADIO, TELEVISION Science Fiction Film and Television Pub Date : 2023-10-08 DOI:10.3828/sfftv.2023.14
Timothy S. Murphy
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引用次数: 0

Abstract

Over the course of the nearly 40 films in the franchise, Godzilla has been depicted with varying degrees of anthropomorphism, and viewers have been encouraged to adopt varying degrees of identification/sympathy with the monster. Drawing upon Levinas’s ethics of the face and comparing the franchise with the anime Neon Genesis Evangelion (1995–96), this essay argues that these variations, and especially the innovative presentation of the monster’s accelerated evolution in Shin Godzilla (2016), constitute a radical challenge to anthropocentrism that is as sophisticated as it is unexpected.
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怪兽之眼
在该系列近40部电影中,哥斯拉被描绘成不同程度的拟人化,观众也被鼓励对这个怪物产生不同程度的认同/同情。根据列维纳斯的面部伦理,并将该系列与动画《霓虹创世纪福音战士》(1995-96)进行比较,本文认为,这些变化,尤其是《新哥斯拉》(2016)中怪物加速进化的创新呈现,构成了对人类中心主义的激进挑战,这种挑战既复杂又出人意料。
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来源期刊
Science Fiction Film and Television
Science Fiction Film and Television FILM, RADIO, TELEVISION-
CiteScore
1.00
自引率
0.00%
发文量
31
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The Anthropocene unconscious Joel and Ellie’s excellent adventure About the contributors Eye of the kaiju Generativity without reserve
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