The effects of cognitive-emotional music listening in ear training on acquired knowledge and liking of the lessons

IF 1.3 3区 教育学 Q2 EDUCATION & EDUCATIONAL RESEARCH International Journal of Music Education Pub Date : 2023-10-25 DOI:10.1177/02557614231204442
Sabina Vidulin, Valnea Žauhar, Marlena Plavšić
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Abstract

Previous research has shown that a cognitive-emotional approach (CEA) to music listening can improve music teaching in general education schools. This study tested it in music school ear training lessons. The aim was to compare the standard teaching approach (STA), which focuses more on cognitive and analytical tasks, and CEA, which also incorporates emotional, multimodal and interdisciplinary elements, on children’s knowledge acquisition and their liking of the lessons. Both approaches involved Dvořák’s music (an excerpt from the 4th movement of Symphony No. 9 in E minor, op. 95 ‘From the New World’) and had the same learning outcomes in two lessons, one related to the E natural minor scale and the other to rhythmic elements and duration. The sample consisted of 423 pupils, who were on average 10.5 years old and attended third grade in 16 Croatian music schools. Half of them participated in lessons prepared in STA, while the other half received lessons in CEA. Findings reveal that implementing CEA in ear training results in increased liking of the lessons, while the knowledge acquired in the lessons remains similar or better than that gained in STA. The implications of including music listening in ear training lessons were further discussed.
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听力训练中认知情感型音乐聆听对习得知识和喜爱程度的影响
以往的研究表明,在普通教育学校中,采用认知-情感方法进行音乐聆听可以改善音乐教学。这项研究在音乐学校的听力训练课程中进行了测试。目的是比较标准教学方法(STA)和CEA,前者更侧重于认知和分析任务,后者也结合了情感、多模态和跨学科的因素,在儿童的知识获取和对课程的喜爱方面。这两种方法都涉及Dvořák的音乐(节选自E小调第九交响曲第四乐章,op. 95 ' from the New World '),并且在两节课中有相同的学习结果,一堂课与E自然小调音阶有关,另一堂课与节奏元素和持续时间有关。样本包括423名学生,他们平均年龄10.5岁,在16所克罗地亚音乐学校上三年级。其中一半参加了STA的备课,另一半参加了CEA的备课。研究结果表明,在听力训练中实施CEA可以提高对课程的喜爱程度,而在课程中获得的知识与在STA中获得的知识相似或更好。进一步讨论了在听力训练课程中加入音乐听力的意义。
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来源期刊
CiteScore
3.20
自引率
11.10%
发文量
58
期刊介绍: The International Journal of Music Education (IJME) is a peer-reviewed journal published by the International Society for Music Education (ISME) four times a year. Manuscripts published are scholarly works, representing empirical research in a variety of modalities. They enhance knowledge regarding the teaching and learning of music with a special interest toward an international constituency. Manuscripts report results of quantitative or qualitative research studies, summarize bodies or research, present theories, models, or philosophical positions, etc. Papers show relevance to advancing the practice of music teaching and learning at all age levels with issues of direct concern to the classroom or studio, in school and out, private and group instruction. All manuscripts should contain evidence of a scholarly approach and be situated within the current literature. Implications for learning and teaching of music should be clearly stated, relevant, contemporary, and of interest to an international readership.
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