{"title":"THE EPIC TRADITION OF THE KENOZERO REGION: THE FACTOR OF FEMALE PERFORMANCE","authors":"Alla V. Nikitina","doi":"10.31860/2712-7591-2023-3-59-75","DOIUrl":null,"url":null,"abstract":"This paper attempts to analyze the changes in the Kenozero epic tradition that marked the acceleration of its degradation and of its disappearance in the 19th and 20th centuries. One of these changes was the increasing female involvement in the performance of the epos (byliny). The female performance of the byliny and its specific attributes are reflected in the field data and in the repertoire. In this study, I analyze the materials that were obtained by P. N. Rybnikov and A. F. Gilferding, who were the first to collect and study the folklore of the Olonetz region in the 19th century. I also use the materials that were gathered in expeditions undertaken in the early 1920’s and in the late 1950’s and the texts that are included in the volume of the Kenozero byliny of the Svod russkogo folklora (Code of Russian folklore) series, which is presently awaiting publication. I also discuss Yurii Novikov’s unpublished paper on the epic tradition of the Kenozero region. The results of this study demonstrate the ambivalent impact of female performance on the preservation of the Kenozero epic tradition: although the tradition is maintained, it shows signs of decline.","PeriodicalId":499688,"journal":{"name":"Slovesnostʹ i istoriâ","volume":"150 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Slovesnostʹ i istoriâ","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31860/2712-7591-2023-3-59-75","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This paper attempts to analyze the changes in the Kenozero epic tradition that marked the acceleration of its degradation and of its disappearance in the 19th and 20th centuries. One of these changes was the increasing female involvement in the performance of the epos (byliny). The female performance of the byliny and its specific attributes are reflected in the field data and in the repertoire. In this study, I analyze the materials that were obtained by P. N. Rybnikov and A. F. Gilferding, who were the first to collect and study the folklore of the Olonetz region in the 19th century. I also use the materials that were gathered in expeditions undertaken in the early 1920’s and in the late 1950’s and the texts that are included in the volume of the Kenozero byliny of the Svod russkogo folklora (Code of Russian folklore) series, which is presently awaiting publication. I also discuss Yurii Novikov’s unpublished paper on the epic tradition of the Kenozero region. The results of this study demonstrate the ambivalent impact of female performance on the preservation of the Kenozero epic tradition: although the tradition is maintained, it shows signs of decline.
本文试图分析基诺泽罗史诗传统在19世纪和20世纪加速退化和消失的变化。其中一个变化是越来越多的女性参与到奥林匹克运动会的表演中来。女队的表演及其具体特点反映在现场数据和曲目中。在这项研究中,我分析了P. N. Rybnikov和A. F. Gilferding获得的材料,他们是19世纪第一个收集和研究奥洛涅茨地区民间传说的人。我还使用在20世纪20年代早期和50年代后期进行的考察中收集的材料,以及包含在Svod russkogo folklora(俄罗斯民间传说法典)系列的Kenozero byliny卷中的文本,该系列目前正在等待出版。我还讨论了尤里·诺维科夫未发表的关于基诺泽罗地区史诗传统的论文。本研究的结果显示了女性表演对保存基诺泽罗史诗传统的矛盾影响:尽管传统得到了保留,但它显示出衰落的迹象。