Moment of Reckoning: Imagined Death and its Consequences in Late Ancient Christianity by Ellen Muehlberger (review)

IF 0.5 0 HUMANITIES, MULTIDISCIPLINARY Journal of Late Antiquity Pub Date : 2023-09-01 DOI:10.1353/jla.2023.a906781
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Daley, and other laborers in the field of death rituals in Late Antiquity, Ellen Muehlberger invites us to consider how Christian preachers in the fourth and fifth centuries encouraged their congregations to imagine and reflect upon the experience of their eventual death and how they freighted this occasion with a moral weight by presenting it as a moment of evaluation, as a \"pitched event—stark, frightening, and a time when a summary judgment of a person's actions throughout life would be rendered\" (10). Already in the early fourth century, Christian authors depicted the deathbed scenes of famous men as barometers of the quality of their lives (Chapter 1). Eusebius represented Constantine as dying \"serenely and undisturbed\" (38) as a reflection of his faithfulness, while emperors like Galerius who opposed Christianity suffered terrible ends by divine retribution. Likewise, heretics such as Arius allegedly died by disembowelment in the manner of Judas. In each of these stories, the way in which someone died revealed something about their character. This concern for death as a moment that laid bare an individual's moral standing attacted the notice of preachers addressing generic Christians in the decades around 400 (Chapter 2). From North Africa to Egypt to Syria, Muehlberger finds a widespread interest in presenting the future deaths of congregants in vivid and realistic detail in sermons by Augustine of Hippo, Jacob of Serugh, Cyril of Alexandria, and Shenoute of Atripe. In each case, these preachers recounted the experience of death from the point of view of the person dying and thereby taught their audiences about death \"by inducing them to create an experience of it that they can imagine to be their own\" (91). The goal of this attention to everyone's inevitable, frightening end was didactic. It forced the listener to consider the following questions: what will I come to regret about the way I have lived at the moment of my death? And how can I avoid that regret by living differently in the time I have left? Muehlberger argues that these preachers applied rhetorical techniques—in particular, prosopopoiea or \"speech in character\"—to convey this moral imperative to their audiences (Chapter 3). Their techiques for vividly evoking the final moments of their congregants' lives drew directly on their rhetorical training in writing speeches in the voices of historical characters in tragic situations. When they applied these skills in their sermons, their achievement was nothing less than the introduction of \"a [End Page 557] new mode of ethical self-evaluation—a practical exercise of the imagination to nurse preventative caution where it had not existed before\" (141). Why was death so fearful to Christians in this period? 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Abstract

Reviewed by: Moment of Reckoning: Imagined Death and its Consequences in Late Ancient Christianity by Ellen Muehlberger Scott G. Bruce Moment of Reckoning: Imagined Death and its Consequences in Late Ancient Christianity Ellen Muehlberger Oxford: Oxford University Press, 2019. Pp. xiii + 245. ISBN: 978-0190459161. Building on the work of Éric Rebillard, Brian E. Daley, and other laborers in the field of death rituals in Late Antiquity, Ellen Muehlberger invites us to consider how Christian preachers in the fourth and fifth centuries encouraged their congregations to imagine and reflect upon the experience of their eventual death and how they freighted this occasion with a moral weight by presenting it as a moment of evaluation, as a "pitched event—stark, frightening, and a time when a summary judgment of a person's actions throughout life would be rendered" (10). Already in the early fourth century, Christian authors depicted the deathbed scenes of famous men as barometers of the quality of their lives (Chapter 1). Eusebius represented Constantine as dying "serenely and undisturbed" (38) as a reflection of his faithfulness, while emperors like Galerius who opposed Christianity suffered terrible ends by divine retribution. Likewise, heretics such as Arius allegedly died by disembowelment in the manner of Judas. In each of these stories, the way in which someone died revealed something about their character. This concern for death as a moment that laid bare an individual's moral standing attacted the notice of preachers addressing generic Christians in the decades around 400 (Chapter 2). From North Africa to Egypt to Syria, Muehlberger finds a widespread interest in presenting the future deaths of congregants in vivid and realistic detail in sermons by Augustine of Hippo, Jacob of Serugh, Cyril of Alexandria, and Shenoute of Atripe. In each case, these preachers recounted the experience of death from the point of view of the person dying and thereby taught their audiences about death "by inducing them to create an experience of it that they can imagine to be their own" (91). The goal of this attention to everyone's inevitable, frightening end was didactic. It forced the listener to consider the following questions: what will I come to regret about the way I have lived at the moment of my death? And how can I avoid that regret by living differently in the time I have left? Muehlberger argues that these preachers applied rhetorical techniques—in particular, prosopopoiea or "speech in character"—to convey this moral imperative to their audiences (Chapter 3). Their techiques for vividly evoking the final moments of their congregants' lives drew directly on their rhetorical training in writing speeches in the voices of historical characters in tragic situations. When they applied these skills in their sermons, their achievement was nothing less than the introduction of "a [End Page 557] new mode of ethical self-evaluation—a practical exercise of the imagination to nurse preventative caution where it had not existed before" (141). Why was death so fearful to Christians in this period? While the teachings of the church were clear that the soul lay in wait after death, as though asleep until the general resurrection and judgment at the end of time, contemporary apocryphal writings like the Vision of Paul depicted an afterlife immediately after death but preceding the judgement, where human souls persisted in recognizable bodies that were vulnernable to physical punishment commeasurate with their sins (Chapter 4). Muhlberger dubs this alarming new phase of human existence the "postmortal." It is the fear of punishment in the postmortal state of the soul, determined at the moment of death, that lent late antique sermons on dying their efficacy. One of the strengths of this chapter is the insight that pseudepigrapha like the Vision of Paul did not introduce these ideas but rather responded to their growing popularity long before they achieved any official authority as doctrine. Muhlberger argues that this new understanding of the immediate fate of the soul after death justified forcing others to adopt correct Chrisian beliefs in order to help them to avoid the fates awaiting them in their postmortal state (Chapter 5). In doing so, she shows how pastoral care could have a direct influence on...
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《清算时刻:晚期古代基督教想象中的死亡及其后果》艾伦·米尔伯格著
《清算时刻:古代基督教晚期想象中的死亡及其后果》作者:Ellen Muehlberger Scott G. Bruce《清算时刻:古代基督教晚期想象中的死亡及其后果》Ellen Muehlberger牛津:牛津大学出版社,2019年。Pp. xiii + 245。ISBN: 978 - 0190459161。在Éric Rebillard, Brian E. Daley和其他古代晚期死亡仪式领域的工作者的工作基础上,Ellen Muehlberger邀请我们思考4世纪和5世纪的基督教传教士如何鼓励他们的会众想象和反思他们最终死亡的经历,以及他们如何通过将这一场合作为一个评估的时刻,作为一个“严峻的,可怕的,一个对一个人一生的行为进行简易判断的时代。”早在四世纪早期,基督教作家就把名人的临终场景描绘成他们生活质量的晴雨表(第1章)。优西比乌斯把君士坦丁描绘成“平静而不受干扰”的死亡(38章),这反映了他的忠诚,而像伽勒里乌斯这样反对基督教的皇帝则遭受了神的惩罚。同样,像阿里乌斯这样的异教徒据说也像犹大一样被开膛破肚而死。在这些故事中,每个人的死亡方式都揭示了他们的性格。在公元400年左右的几十年里,这种将死亡视为暴露个人道德地位的时刻的关注,引起了布道者对普通基督徒的注意(第2章)。从北非到埃及再到叙利亚,米尔伯格发现,在希波的奥古斯丁、塞鲁的雅各布、亚历山大的西里尔和阿特里普的谢诺特的布道中,人们对用生动而现实的细节呈现会众未来的死亡有着广泛的兴趣。在每一种情况下,这些传教士都从濒死者的角度叙述死亡的经历,从而“通过诱导他们创造一种他们可以想象为自己的死亡经历”来教导他们的听众死亡(91)。这种关注每个人不可避免的可怕结局的目的是说教。它迫使听众考虑以下问题:在我死的那一刻,我会对我的生活方式感到后悔吗?我怎样才能在剩下的时间里以不同的方式生活来避免这种遗憾呢?米尔伯格认为,这些传教士运用修辞技巧——尤其是拟人或“人物演讲”——向听众传达这种道德要求(第3章)。他们生动地唤起会众生命最后时刻的技巧,直接借鉴了他们在悲剧情境中以历史人物的声音撰写演讲时所接受的修辞训练。当他们在讲道中运用这些技巧时,他们的成就不亚于引入了“一种新的道德自我评价模式——一种想象力的实际运用,在以前不存在的地方培养预防性的谨慎”(141)。为什么这个时期的基督徒对死亡如此恐惧?虽然教会的教义清楚地表明,灵魂在死后等待着,就像睡着了一样,直到最后的普遍复活和审判,但当代的伪经作品,如保罗的异象,描绘了死后立即死后但在审判之前的来世,在那里,人类的灵魂持续存在于可识别的身体中,而这些身体很容易受到与他们的罪相称的体罚(第4章)。米尔伯格将人类存在的这个令人担忧的新阶段称为“死后”。正是由于人们害怕死后的灵魂状态会受到惩罚,而这种恐惧是在死亡的那一刻决定的,所以古代关于死亡的说教才显得有效。这一章的优点之一是,像保罗的异象这样的伪经书,并没有引入这些思想,而是在它们作为教义获得官方权威之前,对它们日益流行的观点做出了回应。Muhlberger认为,这种对死后灵魂直接命运的新理解,证明了强迫他人接受正确的基督教信仰,以帮助他们避免在死后的状态下等待他们的命运(第5章)。在这样做的过程中,她展示了教牧关怀如何对……
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Journal of Late Antiquity
Journal of Late Antiquity HUMANITIES, MULTIDISCIPLINARY-
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0.80
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50.00%
发文量
18
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