{"title":"Selling rural China: The construction and commodification of rurality in Chinese promotional livestreaming","authors":"Lizhen Zhao","doi":"10.1177/01634437231203883","DOIUrl":null,"url":null,"abstract":"With promotional livestreaming transforming the digital culture and e-commerce landscape in China, rural streamers take this opportunity to not only harvest economic rewards but also construct rural identities and associated imagery. Employing a digital ethnographic approach, this article closely explored how rural spaces and rural labor activities are constructed and commodified in Chinese promotional livestreaming. I argue that although rural streamers’ creative use of platform-afforded liveness and interactivity enriches Chinese digital culture by making everyday life in rural spaces visible, this constructed rurality is, however, flattened, decontextualized, and romanticized – thus, ready to be commodified and sold to the audience. In addition, agricultural labor is made hyper-visible, generating the possibility for demystifying said labor process, while other forms of labor, mainly affective labor and labor for negotiation with the platforms, are made invisible, undervalued, and exploited, deepening the precarious condition of such platform-dependent labor.","PeriodicalId":18417,"journal":{"name":"Media, Culture & Society","volume":"18 1","pages":"0"},"PeriodicalIF":2.3000,"publicationDate":"2023-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Media, Culture & Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/01634437231203883","RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 0
Abstract
With promotional livestreaming transforming the digital culture and e-commerce landscape in China, rural streamers take this opportunity to not only harvest economic rewards but also construct rural identities and associated imagery. Employing a digital ethnographic approach, this article closely explored how rural spaces and rural labor activities are constructed and commodified in Chinese promotional livestreaming. I argue that although rural streamers’ creative use of platform-afforded liveness and interactivity enriches Chinese digital culture by making everyday life in rural spaces visible, this constructed rurality is, however, flattened, decontextualized, and romanticized – thus, ready to be commodified and sold to the audience. In addition, agricultural labor is made hyper-visible, generating the possibility for demystifying said labor process, while other forms of labor, mainly affective labor and labor for negotiation with the platforms, are made invisible, undervalued, and exploited, deepening the precarious condition of such platform-dependent labor.
期刊介绍:
Media, Culture & Society provides a major international forum for the presentation of research and discussion concerning the media, including the newer information and communication technologies, within their political, economic, cultural and historical contexts. It regularly engages with a wider range of issues in cultural and social analysis. Its focus is on substantive topics and on critique and innovation in theory and method. An interdisciplinary journal, it welcomes contributions in any relevant areas and from a worldwide authorship.