Traying Persons with Disabilities in Contemporary Cinematic Art

Marija Đaković, Emina Berbić Kolar, Ksenija Romstein
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Abstract

Over time, the societies’ relation towards people with disability has changed its course, due to the influence of scientific knowledge, as well as the influence of artistic representation of disability. Cinema is a globally present medium, so the question of its influence on the attitudes of society has emerged. In this paper, overall 20 movies in which the main character has a disability have been analyzed. The analysis shows the dominance of disabled male characters. The main characters often have motoric impairment, followed by mental disorders, and intellectual disability. Mental disorders are in analyzed movies portrayed with aggressive behavior (e. g. violence). The movies are mostly mainstream, and profit-driven. Implications are multiple: there is a need to construct inclusive cinematography – (sub)discipline within the media culture, which could adequately address the question of social stigma and social marginalization of people with disabilities, which is at this point globally present in current media (movies and series). Also, there is a need for the introduction of critical content in media culture within the education curriculums, as well as a need for promoting alternative cinema, as adequate media for promoting inclusive values.
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在当代电影艺术中对待残疾人
随着时间的推移,由于科学知识的影响以及残疾艺术表现的影响,社会对残疾人的关系发生了变化。电影是一种全球性的媒介,因此它对社会态度的影响问题就出现了。本文对20部以残疾为主要角色的电影进行了分析。分析表明,残疾男性角色占主导地位。主要人物通常有运动障碍,其次是精神障碍和智力残疾。精神障碍在被分析的电影中被描绘成具有攻击性的行为(例如暴力)。这些电影大多是主流电影,而且是逐利的。影响是多方面的:需要在媒体文化中构建包容性的电影摄影(子)学科,这可以充分解决当前全球媒体(电影和连续剧)中对残疾人的社会耻辱和社会边缘化问题。此外,有必要在教育课程中引入媒体文化中的关键内容,以及需要促进另类电影,作为促进包容性价值观的适当媒体。
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发文量
66
审稿时长
16 weeks
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