Withdrawal

IF 0.8 4区 社会学 Q3 CULTURAL STUDIES Differences-A Journal of Feminist Cultural Studies Pub Date : 2023-05-01 DOI:10.1215/10407391-10435927
Damon Ross Young
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引用次数: 0

Abstract

Leo Bersani’s writings on aesthetics, often coauthored with Ulysse Dutoit, repeatedly deploy the trope of withdrawal, finding in the aesthetic works they discuss, such as Jean-Luc Godard’s film Contempt, a paradoxical double movement of bringing into view while projecting the erasure of form and distinction. In their reading of Contempt, Bersani and Dutoit adumbrate a uniformity that would depend on the elimination of measurement, reference, and subject-object relations. In doing so, they transfigure the idea of antirelationality often attributed to Bersani, associating the death it surely names with the illumination of Being.
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撤军
狮子座Bersani对美学的著作,经常与Ulysse Dutoit,多次部署撤退的比喻,发现在审美他们讨论工作,比如让-吕克·戈达尔的电影轻蔑,而突出矛盾的双重运动将进入视图形式和擦除的区别。在他们对《蔑视》的解读中,Bersani和Dutoit预示了一种统一性,这种统一性将依赖于消除测量、参考和主客体关系。在这样做的过程中,他们改变了通常归因于贝尔萨尼的反关系的观点,将死亡与存在的光明联系起来。
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
5
期刊介绍: differences: A Journal of Feminist Cultural Studies first appeared in 1989 at the moment of a critical encounter—a head-on collision, one might say—of theories of difference (primarily Continental) and the politics of diversity (primarily American). In the ensuing years, the journal has established a critical forum where the problematic of differences is explored in texts ranging from the literary and the visual to the political and social. differences highlights theoretical debates across the disciplines that address the ways concepts and categories of difference—notably but not exclusively gender—operate within culture.
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