Boundary-Crossing: A Posthumanist Reading of Edward Albee’s Seascape

Jie Chen
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Abstract

Edward Albee’s Seascape is a well-crafted Pulitzer Prize-winning play. This two-act play features a recently retired American couple, Charlie and Nancy, who were idling their time on a sun-soaked beach and having a conversation about future plan, and suddenly a lizard-like nonhuman couple Leslie and Sarah, came from undersea to the land. This essay argues that Seascape is pregnant with Posthumanist wisdom with which we might get access to a better understanding of our place on our planet and foster a more harmonious cohabitation with our fellow humans and other species. Albee’s Seascape is a forceful attempt to deconstruct the boundaries that human set up to distinguish themselves from the world and dissolve the anthropocentric dualistic epistemologies that separate land and sea, men and women, and human and nonhuman. The cross-species encounter in Seascape yields to arguments that starkly subvert human’s long-established stereotypical assumptions about themselves, opening up our eyes to see multiplicity and diversity through the prism of Posthumanism.
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跨越边界:爱德华·阿尔比《海景》的后人文主义解读
爱德华·阿尔比的《海景》是一部精心制作的普利策奖获奖作品。这部两幕剧讲述了一对刚刚退休的美国夫妇,查理和南希,他们正在阳光普照的海滩上消磨时光,谈论着未来的计划,突然,一对像蜥蜴一样的非人类夫妇莱斯利和萨拉从海底来到陆地上。这篇文章认为,海景蕴含着后人类主义的智慧,通过这种智慧,我们可以更好地了解我们在地球上的位置,并与我们的人类同胞和其他物种建立更和谐的共生关系。阿尔比的《海景》是一个强有力的尝试,它解构了人类为将自己与世界区分开来而建立的界限,消解了将陆地与海洋、男人与女人、人类与非人类分开的以人类为中心的二元认识论。《海景》中跨物种的相遇产生了一种观点,这种观点彻底颠覆了人类长期以来对自己的刻板假设,打开了我们的眼睛,通过后人类主义的棱镜看到了多样性和多样性。
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