Leonico Tomeo’s Marginalia: Manuscript and Print in Sixteenth-Century Veneto

IF 0.6 4区 社会学 N/A HUMANITIES, MULTIDISCIPLINARY LIBRARY Pub Date : 2023-09-01 DOI:10.1093/library/fpad030
Allison Steenson
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Abstract

Abstract This article centres on a connection between the manuscript reading marks of the Italian humanist Niccolò Leonico Tomeo (Venice 1456-Padua 1531), in the form of curved branches with sprouting leaves, and printed marginal notes found in early editions of his works printed in Venice and Paris. Known generally as a Greek scholar of Aristotle active at the University of Padua, Leonico had also an important role in contemporary intellectual and political debate, especially in relation to his many close English acquaintances. This article examines the occurrences of these unique marginal annotations in manuscript and print, and connects Leonico’s printed works to the printing and intellectual environment in Padua and Venice.
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列奥尼科·托梅奥的旁注:16世纪威尼托的手稿和印刷品
本文以意大利人文主义者Niccolò Leonico Tomeo(威尼斯1456-帕多瓦1531)的手稿阅读标记为中心,以弯曲的树枝和发芽的叶子的形式,与在威尼斯和巴黎印刷的早期版本中发现的印刷边注之间的联系。列昂尼科是希腊著名的亚里士多德学者,活跃于帕多瓦大学,在当时的知识分子和政治辩论中也扮演着重要的角色,尤其是与他的许多亲密的英国熟人。本文考察了这些独特的边缘注释在手稿和印刷中的出现,并将列昂尼科的印刷作品与帕多瓦和威尼斯的印刷和知识环境联系起来。
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LIBRARY
LIBRARY HUMANITIES, MULTIDISCIPLINARY-
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期刊介绍: The Library is the journal of the Bibliographical Society. For more than a hundred years it has been the pre-eminent UK scholarly journal for the study of bibliography and of the role of the book in history. All aspects of descriptive, analytical, textual and historical bibliography come within its scope, including the history of the production, distribution and reception of books, both manuscript and printed; the history of collecting and of libraries; paper, printing types, book illustration, and binding; and the transmission of texts and their authenticity.
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The Bibliographical Society Claude Garamont, typographe de l’humanisme. By Rémi Jimenes Recent Periodicals Books Owned by Mary Astell in the Old Library of Magdalene College, Cambridge Leonico Tomeo’s Marginalia: Manuscript and Print in Sixteenth-Century Veneto
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