{"title":"When mass culture meets high culture: reality television and big data at the art museum","authors":"Hollis Griffin","doi":"10.1093/ccc/tcad034","DOIUrl":null,"url":null,"abstract":"Abstract This article examines cultural beliefs related to reality television and social media, using a museum installation as a point of departure for examining the persistence of particular ideas about taste and aesthetic value as they relate to mass media in a historical moment when audiences are more frequently small and specialized. Its case study is an artwork that creates a data visualization from social media analytics related to American Idol, America’s Got Talent, America’s Next Top Model, and America’s Best Dance Crew. Using discourse analysis, the article unpacks how the installation establishes connections between televised contests, social media activity, and U.S. national identity. The author argues that the installation predicates its critique of reality television and social media on collapsing the differences between disparate programs, animating hierarchies of taste between various publics, and simplifying emergent industry practices related to big data.","PeriodicalId":54193,"journal":{"name":"Communication Culture & Critique","volume":null,"pages":null},"PeriodicalIF":1.5000,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Communication Culture & Critique","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/ccc/tcad034","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"COMMUNICATION","Score":null,"Total":0}
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Abstract
Abstract This article examines cultural beliefs related to reality television and social media, using a museum installation as a point of departure for examining the persistence of particular ideas about taste and aesthetic value as they relate to mass media in a historical moment when audiences are more frequently small and specialized. Its case study is an artwork that creates a data visualization from social media analytics related to American Idol, America’s Got Talent, America’s Next Top Model, and America’s Best Dance Crew. Using discourse analysis, the article unpacks how the installation establishes connections between televised contests, social media activity, and U.S. national identity. The author argues that the installation predicates its critique of reality television and social media on collapsing the differences between disparate programs, animating hierarchies of taste between various publics, and simplifying emergent industry practices related to big data.
期刊介绍：
CCC provides an international forum for critical research in communication, media, and cultural studies. We welcome high-quality research and analyses that place questions of power, inequality, and justice at the center of empirical and theoretical inquiry. CCC seeks to bring a diversity of critical approaches (political economy, feminist analysis, critical race theory, postcolonial critique, cultural studies, queer theory) to bear on the role of communication, media, and culture in power dynamics on a global scale. CCC is especially interested in critical scholarship that engages with emerging lines of inquiry across the humanities and social sciences. We seek to explore the place of mediated communication in current topics of theorization and cross-disciplinary research (including affect, branding, posthumanism, labor, temporality, ordinariness, and networked everyday life, to name just a few examples). In the coming years, we anticipate publishing special issues on these themes.
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