Începuturile teatrului în Egiptul antic

Tarik Abou Soughaire
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Abstract

Performing art has been known in Egypt since the dawn of history, or better, since the time of the pharaohs. It is a reality that no one can deny. But some realities create discord between historians, such as the one we discuss in this article which is expressed in the following question: Did ancient Egypt know the theater? In order to be able to give an exact answer to this question and make the reality indisputable, it was, therefore, necessary to leaf through history trying to bring out the opinions and contradictory opinions, the opinions which are for this reality affirming that the theater was born in Egypt and developed in Greece and those who claim that the theater is a creation of Greek genius. In this article, we will therefore attempt to highlight this discord that existed between historians before discovering the roots of this reality by resorting to specific historical and archaeological clues and to articulate the characteristics of the theater at this time, the interest of the contemporary Egyptian state towards the buildings in which the shows of this period were played, as well as the interest of certain modern Egyptian playwrights for the aspects of pharaonic life of which they are the source of inspiration for some of their works.
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古埃及戏剧的起源
在埃及,表演艺术从历史的黎明开始就为人所知,或者更好地说,从法老时代开始。这是谁也不能否认的现实。但是一些现实导致了历史学家之间的分歧,比如我们在本文中讨论的一个问题:古埃及人知道戏剧吗?因此,为了能够对这个问题给出一个确切的答案,并使事实无可争辩,有必要翻阅历史,试图找出各种观点和相互矛盾的观点,这些观点是为了这个事实,肯定戏剧诞生于埃及,发展于希腊,而那些声称戏剧是希腊天才创造的人。因此,在本文中,我们将试图通过具体的历史和考古线索,在发现这一现实的根源之前,强调历史学家之间存在的这种不和谐,并阐明当时剧院的特征,当代埃及国家对这一时期演出的建筑的兴趣,以及一些现代埃及剧作家对法老生活的兴趣,他们的一些作品就是从法老的生活中获得灵感的。
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