{"title":"Shannon Jackson. <i>Back Stages: Essays across Art, Performance, and Public Life</i>","authors":"Joseph Cermatori","doi":"10.3138/md-66-3-rev04","DOIUrl":null,"url":null,"abstract":"This review surveys Shannon Jackson’s Back Stages: Essays across Art, Performance, and Public Life, which collects eighteen of Jackson’s previously un-anthologized essays, together with a new introduction and epilogue, and provides a rich overview of her recent views of performance, contemporary art, and radical politics.","PeriodicalId":43301,"journal":{"name":"MODERN DRAMA","volume":"21 1","pages":"0"},"PeriodicalIF":0.4000,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"MODERN DRAMA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3138/md-66-3-rev04","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
引用次数: 0
Abstract
This review surveys Shannon Jackson’s Back Stages: Essays across Art, Performance, and Public Life, which collects eighteen of Jackson’s previously un-anthologized essays, together with a new introduction and epilogue, and provides a rich overview of her recent views of performance, contemporary art, and radical politics.
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