Cultural memory of Chornobyl in literature and fine arts (in case of a picturebook "The Flowers beside the Fourth Reactor" by K. Mikhalitsyna and paintings by M. Prymachenko)

Maryna Vardanian, Iryna Dyrda, Marharyta Kirieieva
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Abstract

From the category “cultural memory”, the paper compares the works of different arts – a picturebook Kvity bilia chetvertoho (The Flowers beside the Fourth Reactor) by K. Mikhalitsyna and paintings of a representative of naive art, an artist M. Prymachenko. The paper explores the interaction of various arts based on Chornobyl’s issue within the comparative interpretation. The Flowers beside the Fourth Reactor by K. Mikhalitsyna narrates the life of M. Prymachenko and refers to her paintings devoted to Chornobyl. From the reception of fine arts, the writer’s picturebook raises verbilised and visualised issues of generations, memory, and nature conservation.
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文学和美术中的切尔诺贝利文化记忆(以K. Mikhalitsyna的图画书《第四反应堆旁的花》和M. Prymachenko的绘画为例)
本文从“文化记忆”这一范畴出发,比较了不同艺术的作品——一本绘本<i>Kvity bilia chetvertoho</i>(<i>《第四个反应堆旁的花》</i>)和朴素艺术的代表艺术家M. Prymachenko的画作。本文从比较解释的角度出发,探讨了各种艺术之间的相互作用。第四反应堆旁的花朵</i>由K. Mikhalitsyna叙述了mr . Prymachenko的一生,并提到了她致力于切尔诺贝利的画作。作者的绘本从美术的接受出发,提出了世代、记忆和自然保护的语言化和可视化的问题。
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