Modern Technologies For Forming The Sound and Visual Film Image: Aspects of Interaction

Lev Riazantsev, Valentyn Lievshakov
{"title":"Modern Technologies For Forming The Sound and Visual Film Image: Aspects of Interaction","authors":"Lev Riazantsev, Valentyn Lievshakov","doi":"10.31866/2617-2674.6.2.2023.289309","DOIUrl":null,"url":null,"abstract":"The purpose of the article. The purpose of the article is to analyze modern technologies for creating a film’s sound and visual image and to reveal the core aspects of interaction in the process of creating an audiovisual product, to analyze the theory of sound, to study the process of film creation, and to reveal the methods used in cinema to form a film’s sound and visual image. Research methodology. The study used the methods of theoretical cognition, namely: analysis – to study the theory of sound and the process of film creation; synthesis – to reflect the interaction between the main elements of the film's sound and visual image; specification – to describe the periods that are crucial for the formation of the phenomenon of “image” in cinema; comparison – to characterize past and present experience in the process of forming the film's sound and visual image. Scientific novelty. For the first time, modern technologies for creating the sound and visual image of a film are analyzed and the main aspects of interaction in the formation of the phenomenon of “image” in cinema are revealed. The results of the study bring a new perspective on the relationship between sound theory and methods of recording and processing. The study focuses on modern sound and vision technologies, which are currently under-researched. Parallels are also drawn between the past and present experience of the process of forming the sound and visual image of a film. Conclusions. The role of sound and visual effects in films has been determined; the theory of sound and its classification has been considered; the process of filming has been analyzed; the most important aspects that should be paid attention to in order to record high-quality audio and video materials during the preparation of the film set and during the filming process have been identified; the interaction of the stages of forming the sound and visual image of a film in the context of using different types of sounds has been traced; it has been found that the use of different types of sound effects and visual elements depends on the genre of the film.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"18 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31866/2617-2674.6.2.2023.289309","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

The purpose of the article. The purpose of the article is to analyze modern technologies for creating a film’s sound and visual image and to reveal the core aspects of interaction in the process of creating an audiovisual product, to analyze the theory of sound, to study the process of film creation, and to reveal the methods used in cinema to form a film’s sound and visual image. Research methodology. The study used the methods of theoretical cognition, namely: analysis – to study the theory of sound and the process of film creation; synthesis – to reflect the interaction between the main elements of the film's sound and visual image; specification – to describe the periods that are crucial for the formation of the phenomenon of “image” in cinema; comparison – to characterize past and present experience in the process of forming the film's sound and visual image. Scientific novelty. For the first time, modern technologies for creating the sound and visual image of a film are analyzed and the main aspects of interaction in the formation of the phenomenon of “image” in cinema are revealed. The results of the study bring a new perspective on the relationship between sound theory and methods of recording and processing. The study focuses on modern sound and vision technologies, which are currently under-researched. Parallels are also drawn between the past and present experience of the process of forming the sound and visual image of a film. Conclusions. The role of sound and visual effects in films has been determined; the theory of sound and its classification has been considered; the process of filming has been analyzed; the most important aspects that should be paid attention to in order to record high-quality audio and video materials during the preparation of the film set and during the filming process have been identified; the interaction of the stages of forming the sound and visual image of a film in the context of using different types of sounds has been traced; it has been found that the use of different types of sound effects and visual elements depends on the genre of the film.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
形成电影声音和视觉形象的现代技术:互动的各个方面
文章的目的。本文的目的是分析现代电影的声音和视觉形象的创造技术,揭示在音像产品的创造过程中相互作用的核心方面,分析声音的理论,研究电影的创作过程,揭示电影中形成电影声音和视觉形象的方法。研究方法。本研究采用理论认知的方法,即:分析——研究声音理论与电影创作过程;合成——反映电影的声音和视觉图像的主要元素之间的相互作用;规范——描述电影“影像”现象形成的关键时期;对比——在电影的声音和视觉形象形成过程中,对过去和现在的经验进行表征。科学的新奇。本文首次分析了电影声音和视觉图像的现代技术,揭示了电影“图像”现象形成过程中相互作用的主要方面。研究结果为声音理论与录音和处理方法之间的关系提供了一个新的视角。这项研究的重点是现代声音和视觉技术,这是目前研究不足的。在电影的声音和视觉形象形成过程中,过去和现在的经验也有相似之处。结论。声音和视觉效果在电影中的作用已经确定;对声音理论及其分类进行了研究;对拍摄过程进行了分析;确定了在电影布景准备和拍摄过程中录制高质量音频和视频材料应注意的最重要方面;在使用不同类型的声音的背景下,形成电影的声音和视觉形象的阶段之间的相互作用已经被追踪;人们发现,不同类型的音效和视觉元素的使用取决于电影的类型。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
自引率
0.00%
发文量
15
审稿时长
4 weeks
期刊最新文献
Specifics of Sound Effects in Feature Films Impact of Technology on Electronic Broadcasting Development Photo Art Project “First Ray” Animated Documentaries in Modern Cinematic Art: Specifics of Production Screen Adaptation in Modern Audiovisual Production
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1