Being There: The Singularity of Oral History

IF 0.1 3区 艺术学 0 ART ARCHIVES OF AMERICAN ART JOURNAL Pub Date : 2023-09-01 DOI:10.1086/727630
Avis Berman
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Abstract

Oral histories are sought by institutions and individuals for their power and unique qualities as a research tool. Informed interviewers elicit personal experiences that offer special insights into what it was like to witness critical events or observe a personality. Oral history also captures the character and poetry of unmediated speech: vocal tones and rhythms carry nuances and emphases that vanish on the printed page. Despite these advantages, the besetting problem of oral history is its resistance to verification. Its evidence is suspect until corroborated by other sources. Oral histories are not substitutes for contemporaneous writings and records—they are supplements. Conducting oral histories can become a tremendously emotional situation when interviewers become deeply entwined with their subjects; they forge strong personal connections, a natural byproduct of the intense focus required for a successful interview. Ultimately, an oral history is a record that two people create.
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《在那里:口述历史的独特性
作为一种研究工具,口述历史因其力量和独特的品质而受到机构和个人的追捧。见多识通的面试官会引出个人经历,让你对目睹关键事件或观察一个人的性格有特别的见解。口述历史也捕捉到了未经调解的言语的特点和诗意:声调和节奏带有细微差别和重点,而这些在印刷页面上消失了。尽管有这些优点,口述历史的一个困扰问题是它难以得到证实。在得到其他来源的证实之前,它的证据是可疑的。口述历史不是同时代著作和记录的替代品——它们是补充。当采访者与被采访者深深纠缠在一起时,口述历史可能会成为一种非常情绪化的情况;他们建立了牢固的人际关系,这是成功面试所需的高度关注的自然副产品。最终,口述历史是两个人创造的记录。
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Being There: The Singularity of Oral History Front Matter Albert Murray’s Approach to Oral Art History: An Epistolary Exploration About the Archives of American Art Oral History
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