Against Better Judgment: Irrational Action and Literary Invention in the Long Eighteenth Century by Thomas Salem Manganaro (review)

IF 0.4 3区 社会学 N/A HUMANITIES, MULTIDISCIPLINARY EIGHTEENTH-CENTURY STUDIES Pub Date : 2023-09-01 DOI:10.1353/ecs.2023.a909470
{"title":"Against Better Judgment: Irrational Action and Literary Invention in the Long Eighteenth Century by Thomas Salem Manganaro (review)","authors":"","doi":"10.1353/ecs.2023.a909470","DOIUrl":null,"url":null,"abstract":"Reviewed by: Against Better Judgment: Irrational Action and Literary Invention in the Long Eighteenth Century by Thomas Salem Manganaro Lauren Kopajtic Thomas Salem Manganaro, Against Better Judgment: Irrational Action and Literary Invention in the Long Eighteenth Century ( Charlottesville: Univ. of Virginia Press, 2022). Pp. 250. $95.00 cloth, $39.50 paper. The central question Thomas Manganaro takes up in this important and welcome book is this: how to write akrasia, a condition where an agent acts against their own better judgment. His opening example rewrites a scene from Defoe's Moll Flanders, where Moll lapses and returns to her trade as a thief; his closing example offers two versions of a scene from Shakespeare's Macbeth, showing how Macbeth's action of killing the king can be represented as intentional or irrational. The central contribution of Manganaro's book lies here, in working through how one's choices in representing irrational action can explain away or render mysterious the [End Page 146] phenomenon itself. While Manganaro reads several seventeenth- and eighteenth-century philosophers as denying or explaining away akrasia at the cost of losing a phenomenon we should seek to understand, he reads a suite of eighteenth-century writers of prose fiction, life-writing, and poetry as preserving the phenomenon through the invention of new literary forms. Manganaro uses akrasia as his primary case of irrational action, preferring it to Aristotelian \"incontinence\" and Augustinian \"weakness of will,\" prominent in Christian frameworks. Akrasia is difficult to pin down, and that slipperiness is an important variable in the argument of this book. Manganaro offers a working understanding of akrasia as a condition of individual agency where one knows what would be the best thing to do, but either freely does not do it, or chooses to do something different, and less good (2). Akrasia is not bad action out of ignorance, nor is it inaction through constraint; akrasia is intentionally doing something you know to be worse than an alternative that is known and readily available. It is important for the history of treatments of this phenomenon, and for Manganaro's own treatment, that akrasia appear paradoxical. This paradoxicality is what attracts attempts to represent, explain, and understand the phenomenon. But these attempts run into an obstacle: explanation and understanding rely on representation, and representation of this phenomenon is a challenge. As Manganaro describes it, \"the core difficulty lies in the fact that the piece of writing needs to maintain two seemingly contradictory truths at once: first, that the person believes that there is an available course of action that is better to pursue, and second, that the person freely and intentionally pursues a different course of action\" (3). The representation of akrasia, then, requires special literary forms. But, and here lies the problem Manganaro finds with the philosophical approaches to akrasia, representations aiming at explaining akrasia will explain away the phenomenon, and representations aiming at preserving akrasia will fall short as explanations, because the \"values\" of literary writing \"clash\" with the values of explanatory writing (39). How to write akrasia, then, will depend on why one seeks to write akrasia, and some whys will not be possible to jointly satisfy. Chapter 1 shows that the dominant forms of systematic philosophical writing in the long eighteenth century were inadequate to this challenge, which resulted in the elimination of the phenomenon. Manganaro begins with Aristotle and St. Augustine, for whom the phenomenon of akrasia was real and worth grappling with, and then turns to seventeenth- and eighteenth-century philosophers and two twentieth-century philosophers, Donald Davidson and Iris Murdoch, who mark out what is needed in a proper study of akrasia. Manganaro argues that Hobbes, Spinoza, and Hume each eliminate akrasia, with Locke holding a more complicated place. Manganaro does not argue for the reality of akrasia, relying instead on Davidson's entreaty to preserve the phenomenon, so it is difficult to see what exactly the \"Enlightenment philosophers\" got wrong, but it seems to be that their elimination is unjustified because it is based on the limited resources of the dominant philosophical frameworks and methods of the moment, and not on the persuasiveness of their arguments. Remaining chapters focus on how literary authors...","PeriodicalId":45802,"journal":{"name":"EIGHTEENTH-CENTURY STUDIES","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"EIGHTEENTH-CENTURY STUDIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/ecs.2023.a909470","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
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Abstract

Reviewed by: Against Better Judgment: Irrational Action and Literary Invention in the Long Eighteenth Century by Thomas Salem Manganaro Lauren Kopajtic Thomas Salem Manganaro, Against Better Judgment: Irrational Action and Literary Invention in the Long Eighteenth Century ( Charlottesville: Univ. of Virginia Press, 2022). Pp. 250. $95.00 cloth, $39.50 paper. The central question Thomas Manganaro takes up in this important and welcome book is this: how to write akrasia, a condition where an agent acts against their own better judgment. His opening example rewrites a scene from Defoe's Moll Flanders, where Moll lapses and returns to her trade as a thief; his closing example offers two versions of a scene from Shakespeare's Macbeth, showing how Macbeth's action of killing the king can be represented as intentional or irrational. The central contribution of Manganaro's book lies here, in working through how one's choices in representing irrational action can explain away or render mysterious the [End Page 146] phenomenon itself. While Manganaro reads several seventeenth- and eighteenth-century philosophers as denying or explaining away akrasia at the cost of losing a phenomenon we should seek to understand, he reads a suite of eighteenth-century writers of prose fiction, life-writing, and poetry as preserving the phenomenon through the invention of new literary forms. Manganaro uses akrasia as his primary case of irrational action, preferring it to Aristotelian "incontinence" and Augustinian "weakness of will," prominent in Christian frameworks. Akrasia is difficult to pin down, and that slipperiness is an important variable in the argument of this book. Manganaro offers a working understanding of akrasia as a condition of individual agency where one knows what would be the best thing to do, but either freely does not do it, or chooses to do something different, and less good (2). Akrasia is not bad action out of ignorance, nor is it inaction through constraint; akrasia is intentionally doing something you know to be worse than an alternative that is known and readily available. It is important for the history of treatments of this phenomenon, and for Manganaro's own treatment, that akrasia appear paradoxical. This paradoxicality is what attracts attempts to represent, explain, and understand the phenomenon. But these attempts run into an obstacle: explanation and understanding rely on representation, and representation of this phenomenon is a challenge. As Manganaro describes it, "the core difficulty lies in the fact that the piece of writing needs to maintain two seemingly contradictory truths at once: first, that the person believes that there is an available course of action that is better to pursue, and second, that the person freely and intentionally pursues a different course of action" (3). The representation of akrasia, then, requires special literary forms. But, and here lies the problem Manganaro finds with the philosophical approaches to akrasia, representations aiming at explaining akrasia will explain away the phenomenon, and representations aiming at preserving akrasia will fall short as explanations, because the "values" of literary writing "clash" with the values of explanatory writing (39). How to write akrasia, then, will depend on why one seeks to write akrasia, and some whys will not be possible to jointly satisfy. Chapter 1 shows that the dominant forms of systematic philosophical writing in the long eighteenth century were inadequate to this challenge, which resulted in the elimination of the phenomenon. Manganaro begins with Aristotle and St. Augustine, for whom the phenomenon of akrasia was real and worth grappling with, and then turns to seventeenth- and eighteenth-century philosophers and two twentieth-century philosophers, Donald Davidson and Iris Murdoch, who mark out what is needed in a proper study of akrasia. Manganaro argues that Hobbes, Spinoza, and Hume each eliminate akrasia, with Locke holding a more complicated place. Manganaro does not argue for the reality of akrasia, relying instead on Davidson's entreaty to preserve the phenomenon, so it is difficult to see what exactly the "Enlightenment philosophers" got wrong, but it seems to be that their elimination is unjustified because it is based on the limited resources of the dominant philosophical frameworks and methods of the moment, and not on the persuasiveness of their arguments. Remaining chapters focus on how literary authors...
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《反对更好的判断:漫长的18世纪的非理性行为与文学发明》作者:托马斯·塞勒姆·曼加纳罗
托马斯·塞勒姆·曼加纳罗,《反对更好的判断:漫长的18世纪的非理性行为和文学发明》(夏洛茨维尔:弗吉尼亚大学出版社,2022年)。250页。布$95,纸$39.50。托马斯·曼加纳罗在这本重要而受欢迎的书中提出了一个核心问题:如何写出“不自觉”,一种代理人违背自己更好的判断行事的状态。他的开篇重写了笛福的《摩尔·弗兰德斯》中的一个场景,摩尔失态了,又回到了她当小偷的行当;他的结尾处提供了莎士比亚《麦克白》中一个场景的两个版本,展示了麦克白杀死国王的行为是如何被表现为故意的还是非理性的。Manganaro这本书的核心贡献在于,通过研究一个人在表现非理性行为时的选择是如何解释或使现象本身变得神秘的。当Manganaro读到一些17世纪和18世纪的哲学家否认或解释了akrasia,以失去我们应该寻求理解的现象为代价时,他读到一组18世纪的散文作家小说,生活写作和诗歌通过发明新的文学形式来保留这种现象。Manganaro使用akrasia作为他的非理性行为的主要案例,他更喜欢亚里士多德的“失禁”和奥古斯丁的“意志薄弱”,这在基督教框架中很突出。阿克拉西亚很难确定,而这种不稳定是本书论证的一个重要变量。Manganaro提供了一种有效的理解,即作为个体代理的一种条件,一个人知道什么是最好的事情,但要么自由地不去做,要么选择做一些不同的,不那么好的事情(2)。akrasia不是出于无知的坏行为,也不是出于约束的不作为;Akrasia故意做一些你知道比已知和现成的替代方案更糟糕的事情。对于这一现象的治疗历史,以及Manganaro自己的治疗来说,akrasia看起来是矛盾的,这一点很重要。正是这种矛盾性吸引了人们试图表现、解释和理解这一现象。但这些尝试遇到了一个障碍:解释和理解依赖于表征,而这种现象的表征是一个挑战。正如Manganaro所描述的那样,“核心困难在于写作需要同时保持两个看似矛盾的事实:第一,这个人相信有一个更好的行动路线,第二,这个人自由地、有意地追求一个不同的行动路线”(3)。因此,对akrasia的表现需要特殊的文学形式。但是,这里也存在着Manganaro发现的问题,即通过哲学方法来解释akrasia,旨在解释akrasia的表征将会解释这种现象,而旨在保留akrasia的表征将无法作为解释,因为文学写作的“价值”与解释性写作的价值“冲突”(39)。那么,如何写自由主义就取决于一个人为什么要写自由主义,而有些原因是不可能同时满足的。第一章表明,在漫长的18世纪,系统哲学写作的主要形式不足以应对这一挑战,这导致了这种现象的消除。Manganaro从亚里士多德和圣奥古斯丁开始,对他们来说,自由主义现象是真实的,值得研究,然后转向17世纪和18世纪的哲学家,以及两位20世纪的哲学家,Donald Davidson和Iris Murdoch,他们指出了自由主义的适当研究需要什么。曼加纳罗认为,霍布斯、斯宾诺莎和休谟都消除了自由主义,而洛克的立场更为复杂。Manganaro并没有为akrasia的真实性争论,而是依赖于戴维森对保留这种现象的恳求,所以很难看出“启蒙哲学家”到底错在哪里,但似乎他们的消除是不合理的,因为它是基于当时占主导地位的哲学框架和方法的有限资源,而不是基于他们的论点的说服力。剩下的章节集中在文学作家如何……
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来源期刊
EIGHTEENTH-CENTURY STUDIES
EIGHTEENTH-CENTURY STUDIES HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
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发文量
74
期刊介绍: As the official publication of the American Society for Eighteenth-Century Studies (ASECS), Eighteenth-Century Studies is committed to publishing the best of current writing on all aspects of eighteenth-century culture. The journal selects essays that employ different modes of analysis and disciplinary discourses to explore how recent historiographical, critical, and theoretical ideas have engaged scholars concerned with the eighteenth century.
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