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The Correspondence of James Boswell and Sir William Forbes of Pitsligo ed. by Richard B. Sher (review) 詹姆斯-博斯韦尔与皮茨里戈的威廉-福布斯爵士的通信》,理查德-B-舍尔编(评论)
IF 0.4 3区 社会学 Q3 Arts and Humanities Pub Date : 2024-01-01 DOI: 10.1353/ecs.2024.a916861
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引用次数: 0
Before the Raj: Writing Early Anglophone India by James Mulholland (review) 詹姆斯-穆赫兰(James Mulholland)所著的《王权之前:书写早期英语印度》(评论
IF 0.4 3区 社会学 Q3 Arts and Humanities Pub Date : 2024-01-01 DOI: 10.1353/ecs.2024.a916865
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引用次数: 0
"This ado in Earthing up a Carcase": Robert Blair's The Grave (1743) as Eighteenth-Century Churchyard Georgic "为一具尸体掏耳朵":罗伯特-布莱尔的《坟墓》(1743 年)作为十八世纪教堂墓地的乔治亚风格作品
IF 0.4 3区 社会学 Q3 Arts and Humanities Pub Date : 2024-01-01 DOI: 10.1353/ecs.2024.a916850
James Metcalf
Abstract: Robert Blair's The Grave (1743) is typically read as a "graveyard poem," in which depictions of death and decay are intended to compel readers before directing their thoughts to the afterlife. This article, by contrast, reads The Grave as a churchyard variation on the contemporary georgic mode to show how the poet's labor to instruct readers on the attainment of heaven grows out of soil, dirt, dust, and ashes—the base elements that compose an earth in flux and that provide, as metaphors for life, work, and death in the poem, a georgic counterweight to the soul's heavenward flight.
摘要:罗伯特-布莱尔的《坟墓》(1743 年)通常被解读为一首 "墓地诗",诗中对死亡和腐朽的描绘意在蛊惑读者,将他们的思绪引向来世。与此相反,本文将《坟墓》解读为当代格律诗模式的教堂墓地变体,以展示诗人如何从土壤、泥土、灰尘和灰烬--这些构成变动中的大地的基本元素--中成长起来,并在诗中作为生活、工作和死亡的隐喻,以格律诗的方式抗衡灵魂向天堂的飞翔。
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引用次数: 0
Prince Eugene of Savoy: A Genius for War Against Louis XIV and the Ottoman Empire by James Falkner, and: Charles XII's Karoliners, Vol.1: Swedish Infantry and Artillery of the Great Northern War 1700–1721 by Sergey Shamenkov (review) 萨瓦的尤金王子:对抗路易十四和奥斯曼帝国的战争天才》(James Falkner 著),以及Sergey Shamenkov 著的《查理十二世的卡洛林人,第 1 卷:1700-1721 年北方大战中的瑞典步兵和炮兵》(评论)
IF 0.4 3区 社会学 Q3 Arts and Humanities Pub Date : 2024-01-01 DOI: 10.1353/ecs.2024.a916868
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引用次数: 0
The Temple of Fame and Friendship: Portraits, Music, and History in the C. P. E. Bach Circle by Annette Richards (review) 名声与友谊的圣殿:安妮特-理查兹(Annette Richards)所著的《C. P. E. 巴赫圈子的肖像、音乐和历史》(评论
IF 0.4 3区 社会学 Q3 Arts and Humanities Pub Date : 2024-01-01 DOI: 10.1353/ecs.2024.a916858
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引用次数: 0
Mediating Cultural Memory in Britain and Ireland: From the 1688 Revolution to the 1745 Jacobite Rising by Leith Davis (review) 英国和爱尔兰的文化记忆中介:从 1688 年革命到 1745 年 Jacobite 起义》,作者 Leith Davis(评论)
IF 0.4 3区 社会学 Q3 Arts and Humanities Pub Date : 2024-01-01 DOI: 10.1353/ecs.2024.a916869
Michael Brown
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引用次数: 0
"Burning Charity" and Love For One's Neighbor: Reformed Social Imaginaries of Charity and the Common Good in Eighteenth-Century Spain and New Spain "燃烧的慈善 "和对邻居的爱:十八世纪西班牙和新西班牙改革派对慈善和公益的社会想象
IF 0.4 3区 社会学 Q3 Arts and Humanities Pub Date : 2024-01-01 DOI: 10.1353/ecs.2024.a916852
Rachael Givens Johnson
Abstract: In their quest to forge a national social imaginary or civic consciousness, Spanish Enlightenment reformers sought to redirect the loyalties and funds of Catholic citizens away from local religious confraternities and towards state projects of modernization. One key strategy involved deploying new registers of the religious concepts of "charity" and the "common good," making moral claims on the citizenry to render material assistance for the prosperity of their fellow citizens and the nation writ large. Catholics who resisted these efforts insisted on the embodied, relational foundations of these ideas (rooted in Thomistic thought) as well as the sanctity of the individual will.
摘要:西班牙启蒙运动改革者在寻求建立国家社会想象或公民意识的过程中,试图将天主教公民的忠诚和资金从地方宗教团体转向国家现代化项目。其中一个关键策略是对 "慈善 "和 "共同利益 "的宗教概念进行新的诠释,从道德上要求公民为同胞和整个国家的繁荣提供物质援助。抵制这些努力的天主教徒坚持这些观念的体现性、关系性基础(植根于托马斯思想)以及个人意志的神圣性。
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引用次数: 0
Polemics, Literature, and Knowledge in Eighteenth-Century Mexico: A New World for the Republic of Letters by José Francisco Robles (review) 十八世纪墨西哥的论战、文学和知识:文学共和国的新世界》,何塞-弗朗西斯科-罗伯斯著(评论)
IF 0.4 3区 社会学 Q3 Arts and Humanities Pub Date : 2024-01-01 DOI: 10.1353/ecs.2024.a916867
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引用次数: 0
Benjamin Franklin and the Poetics of the New Diplomacy 本杰明-富兰克林与新外交诗学
IF 0.4 3区 社会学 Q3 Arts and Humanities Pub Date : 2024-01-01 DOI: 10.1353/ecs.2024.a916851
Kenneth Weisbrode
Abstract: This essay interprets the literary means Benjamin Franklin used in establishing a novel style of diplomatic representation. This style dispensed with much, but not all, of the ritual of what was then regarded as the old, European diplomacy in which diplomatic actors performed the dual role of representation, being both representative and representational; that is, as both spokespeople for, and emblems of, their national cause. Through them one is able to detect the interweaving of existing diplomatic standards and protocols in a self-consciously New World vocation with its own demands for recognition from the imperial center.
摘要:这篇文章阐释了本杰明-富兰克林在建立一种新颖的外交代表风格时所使用的文学手段。这种风格摒弃了当时被认为是古老的欧洲外交中的大部分(但不是全部)礼仪,在这种外交中,外交人员扮演着代表的双重角色,既是代表,又是代表;也就是说,既是国家事业的代言人,又是国家事业的象征。通过他们,我们可以发现现有的外交标准和礼仪与自觉的新世界使命交织在一起,新世界使命本身就要求得到帝国中心的承认。
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引用次数: 0
Climate and the Making of Worlds: Toward a Geohistorical Poetics by Tobias Menely (review) 气候与世界的形成:托比亚斯-梅内利著的《地史诗学》(评论)
IF 0.4 3区 社会学 Q3 Arts and Humanities Pub Date : 2024-01-01 DOI: 10.1353/ecs.2024.a916859
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引用次数: 0
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