Cultural and Artistic Dialogues in Galicia in the Second Half of the 20th Century

IF 0.1 0 ART Baltic Journal of Art History Pub Date : 2023-08-22 DOI:10.12697/bjah.2022.24.04
Maryan Besaha, Yuliya Babunych, Orest Holubets
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Abstract

The research aims to define the dialogical nature of culturaland artistic processes in the historical environment of late 20thcentury Galicia, and to determine a list of significant events, artistassociations, and personalities. The Research methodology is basedon the principles of combining the system approach with historicalprinciples, comparison, and synthesis. Historical and cultural, andformal-analytical, approaches with elements of comparative anddescriptive analysis are used.The mutual impact of policy and authorities on the artisticenvironment and education processes is analysed for the first time.The movement of individual artistic practices and artist unions asthe main factors shaping the artistic environment in Galicia in thesecond half of the 20th century is highlighted.We conclude that pressure from the communist totalitarianauthorities on the artistic community in Galicia, deportations,bullying, and isolation failed to destroy the structure of artisticdialogue. With changes in leadership and control vectors, cultural andartistic life searched for a unique form of expression, and Lviv (beinga centre of culture and education) played an important role in shapingmany new names that would later influence the environment. Afterthe collapse of the Soviet Union and the appearance of independentUkraine, the processes to rehabilitate artistic values, based onnational form and the dialogical form of the first third of the 20thcentury, took place. Artist unions and new galleries that appearedto cater to the needs of cultural and artistic life in Galicia becameinstrumental in developing new artistic ideas both in Ukraine andbeyond. Consideration of views and the importance of the creativityof individual artists and artist associations in cultural and artisticprocesses in late 20th century Galicia created the preconditions bywhich to determine the importance and patterns of social and politicalinfluences on the development of Ukrainian art in the 20th and 21stcenturies.
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20世纪下半叶加利西亚的文化艺术对话
该研究旨在定义20世纪晚期加利西亚历史环境中文化和艺术进程的对话性质,并确定一系列重要事件、艺术家协会和人物。本文的研究方法是基于系统方法与历史原理、比较和综合相结合的原则。历史和文化,形式分析,方法与比较和描述性分析的元素被使用。政策和当局对艺术环境和教育过程的相互影响首次进行了分析。个人艺术实践和艺术家工会的运动是塑造20世纪下半叶加利西亚艺术环境的主要因素。我们的结论是,共产主义极权当局对加利西亚艺术界施加的压力、驱逐出境、欺凌和孤立都未能摧毁艺术对话的结构。随着领导和控制方式的变化,文化和艺术生活寻求一种独特的表达形式,利沃夫(作为文化和教育中心)在塑造许多新名字方面发挥了重要作用,这些新名字后来影响了环境。在苏联解体和独立的乌克兰出现之后,以民族形式和20世纪前三分之一的对话形式为基础的艺术价值恢复的过程发生了。艺术家工会和新画廊似乎迎合了加利西亚文化和艺术生活的需求,在乌克兰和其他地区发展新的艺术理念方面发挥了重要作用。考虑到个人艺术家和艺术家协会在20世纪末加利西亚文化和艺术进程中的创造力的观点和重要性,为确定20世纪和21世纪乌克兰艺术发展的社会和政治影响的重要性和模式创造了先决条件。
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期刊介绍: THE BALTIC JOURNAL OF ART HISTORY is an official publication of the Department of Art History of the Institute of History and Archaeology of the University of Tartu. It is published by the University of Tartu Press in cooperation with the Department of Art History. The concept of the journal is to ask contributions from different authors whose ideas and research findings in terms of their content and high academic quality invite them to be published. We are mainly looking forward to lengthy articles of monographic character as well as shorter pieces where the issues raised or the new facts presented cover topics that have not yet been shed light on or open up new art geographies.
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