{"title":"Cultural and Artistic Dialogues in Galicia in the Second Half of the 20th Century","authors":"Maryan Besaha, Yuliya Babunych, Orest Holubets","doi":"10.12697/bjah.2022.24.04","DOIUrl":null,"url":null,"abstract":"The research aims to define the dialogical nature of culturaland artistic processes in the historical environment of late 20thcentury Galicia, and to determine a list of significant events, artistassociations, and personalities. The Research methodology is basedon the principles of combining the system approach with historicalprinciples, comparison, and synthesis. Historical and cultural, andformal-analytical, approaches with elements of comparative anddescriptive analysis are used.The mutual impact of policy and authorities on the artisticenvironment and education processes is analysed for the first time.The movement of individual artistic practices and artist unions asthe main factors shaping the artistic environment in Galicia in thesecond half of the 20th century is highlighted.We conclude that pressure from the communist totalitarianauthorities on the artistic community in Galicia, deportations,bullying, and isolation failed to destroy the structure of artisticdialogue. With changes in leadership and control vectors, cultural andartistic life searched for a unique form of expression, and Lviv (beinga centre of culture and education) played an important role in shapingmany new names that would later influence the environment. Afterthe collapse of the Soviet Union and the appearance of independentUkraine, the processes to rehabilitate artistic values, based onnational form and the dialogical form of the first third of the 20thcentury, took place. Artist unions and new galleries that appearedto cater to the needs of cultural and artistic life in Galicia becameinstrumental in developing new artistic ideas both in Ukraine andbeyond. Consideration of views and the importance of the creativityof individual artists and artist associations in cultural and artisticprocesses in late 20th century Galicia created the preconditions bywhich to determine the importance and patterns of social and politicalinfluences on the development of Ukrainian art in the 20th and 21stcenturies.","PeriodicalId":52089,"journal":{"name":"Baltic Journal of Art History","volume":"6 1","pages":"0"},"PeriodicalIF":0.1000,"publicationDate":"2023-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Baltic Journal of Art History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12697/bjah.2022.24.04","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
The research aims to define the dialogical nature of culturaland artistic processes in the historical environment of late 20thcentury Galicia, and to determine a list of significant events, artistassociations, and personalities. The Research methodology is basedon the principles of combining the system approach with historicalprinciples, comparison, and synthesis. Historical and cultural, andformal-analytical, approaches with elements of comparative anddescriptive analysis are used.The mutual impact of policy and authorities on the artisticenvironment and education processes is analysed for the first time.The movement of individual artistic practices and artist unions asthe main factors shaping the artistic environment in Galicia in thesecond half of the 20th century is highlighted.We conclude that pressure from the communist totalitarianauthorities on the artistic community in Galicia, deportations,bullying, and isolation failed to destroy the structure of artisticdialogue. With changes in leadership and control vectors, cultural andartistic life searched for a unique form of expression, and Lviv (beinga centre of culture and education) played an important role in shapingmany new names that would later influence the environment. Afterthe collapse of the Soviet Union and the appearance of independentUkraine, the processes to rehabilitate artistic values, based onnational form and the dialogical form of the first third of the 20thcentury, took place. Artist unions and new galleries that appearedto cater to the needs of cultural and artistic life in Galicia becameinstrumental in developing new artistic ideas both in Ukraine andbeyond. Consideration of views and the importance of the creativityof individual artists and artist associations in cultural and artisticprocesses in late 20th century Galicia created the preconditions bywhich to determine the importance and patterns of social and politicalinfluences on the development of Ukrainian art in the 20th and 21stcenturies.
期刊介绍:
THE BALTIC JOURNAL OF ART HISTORY is an official publication of the Department of Art History of the Institute of History and Archaeology of the University of Tartu. It is published by the University of Tartu Press in cooperation with the Department of Art History. The concept of the journal is to ask contributions from different authors whose ideas and research findings in terms of their content and high academic quality invite them to be published. We are mainly looking forward to lengthy articles of monographic character as well as shorter pieces where the issues raised or the new facts presented cover topics that have not yet been shed light on or open up new art geographies.