Viktor Trifonov, Natalia Shishlina, Anastasia Loboda, Vladimir Khvostikov, Eketerina Kovalenko, Elena Tereschenko, Ekaterina Yatsishina
{"title":"Tricky technology of making silver seed beads in the Early Bronze Age, NW Caucasus","authors":"Viktor Trifonov, Natalia Shishlina, Anastasia Loboda, Vladimir Khvostikov, Eketerina Kovalenko, Elena Tereschenko, Ekaterina Yatsishina","doi":"10.1111/arcm.12923","DOIUrl":null,"url":null,"abstract":"<p>This study reconstructed the technical <i>chaîne operatoire</i> of silver seed bead production in the Maikop culture on the basis of tracewear analysis and experimental research using silver beads from the Early Bronze Age dolmen (c. 3200–2900 <span>bce</span>) in kurgan 2 at Tsarskaya (1898). The results demonstrate that such beads were produced as a “garland” lost wax casting, when a garland of beads is formed on a hollow dry stalk (straw) that burns out during the casting process. The technology of “garland” casting is an original and, probably, the earliest solution in history that helped address the issue of large-scale production of uniform cast precious metal seed beads. It is not yet clear whether this technology was originally developed in the Caucasus or brought here from Western Asia, where the Maikop culture has its roots.</p>","PeriodicalId":8254,"journal":{"name":"Archaeometry","volume":null,"pages":null},"PeriodicalIF":1.5000,"publicationDate":"2023-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Archaeometry","FirstCategoryId":"89","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1111/arcm.12923","RegionNum":3,"RegionCategory":"地球科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
引用次数: 0
Abstract
This study reconstructed the technical chaîne operatoire of silver seed bead production in the Maikop culture on the basis of tracewear analysis and experimental research using silver beads from the Early Bronze Age dolmen (c. 3200–2900 bce) in kurgan 2 at Tsarskaya (1898). The results demonstrate that such beads were produced as a “garland” lost wax casting, when a garland of beads is formed on a hollow dry stalk (straw) that burns out during the casting process. The technology of “garland” casting is an original and, probably, the earliest solution in history that helped address the issue of large-scale production of uniform cast precious metal seed beads. It is not yet clear whether this technology was originally developed in the Caucasus or brought here from Western Asia, where the Maikop culture has its roots.
期刊介绍:
Archaeometry is an international research journal covering the application of the physical and biological sciences to archaeology, anthropology and art history. Topics covered include dating methods, artifact studies, mathematical methods, remote sensing techniques, conservation science, environmental reconstruction, biological anthropology and archaeological theory. Papers are expected to have a clear archaeological, anthropological or art historical context, be of the highest scientific standards, and to present data of international relevance.
The journal is published on behalf of the Research Laboratory for Archaeology and the History of Art, Oxford University, in association with Gesellschaft für Naturwissenschaftliche Archäologie, ARCHAEOMETRIE, the Society for Archaeological Sciences (SAS), and Associazione Italian di Archeometria.