{"title":"Not going out: television’s impacts on Britain’s commercial entertainment industries and popular leisure during the 1950s","authors":"Peter Michael Scott","doi":"10.1080/03071022.2023.2246828","DOIUrl":null,"url":null,"abstract":"The 1950s was a pivotal decade for Britain’s entertainment industries, with the rapid diffusion of television and sharp declines for hitherto dominant urban venue entertainments. This had important social consequences, including the acceleration of the trend from community-based socialising to more sedentary, family-based, entertainment – the last essential component of the ‘industrialisation of the home’. However, the disruptive impact of television varied considerably among different incumbent urban entertainments, with variety theatre and cinema facing catastrophic declines, while spectator sports and dance halls continued to flourish. This article examines television’s differential impact on incumbent entertainments using a variety of new sources, including Customs and Excise data; unpublished government social surveys; and trade sources. The differential impact of television on incumbent entertainments can be largely explained by the degree of ‘commitment’ demanded of consumers for different leisure activities; the degree to which television was a strong substitute; the presence of addictive elements (gambling); and the extent to which the activity appealed to a youth audience. However, the rapid collapse of variety theatre and cinema can only be fully explained by television enabling strong latent preferences for commercial entertainment in the home, which were now satisfied by television.","PeriodicalId":21866,"journal":{"name":"Social History","volume":"154 1","pages":"0"},"PeriodicalIF":1.1000,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Social History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/03071022.2023.2246828","RegionNum":1,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 0
Abstract
The 1950s was a pivotal decade for Britain’s entertainment industries, with the rapid diffusion of television and sharp declines for hitherto dominant urban venue entertainments. This had important social consequences, including the acceleration of the trend from community-based socialising to more sedentary, family-based, entertainment – the last essential component of the ‘industrialisation of the home’. However, the disruptive impact of television varied considerably among different incumbent urban entertainments, with variety theatre and cinema facing catastrophic declines, while spectator sports and dance halls continued to flourish. This article examines television’s differential impact on incumbent entertainments using a variety of new sources, including Customs and Excise data; unpublished government social surveys; and trade sources. The differential impact of television on incumbent entertainments can be largely explained by the degree of ‘commitment’ demanded of consumers for different leisure activities; the degree to which television was a strong substitute; the presence of addictive elements (gambling); and the extent to which the activity appealed to a youth audience. However, the rapid collapse of variety theatre and cinema can only be fully explained by television enabling strong latent preferences for commercial entertainment in the home, which were now satisfied by television.
期刊介绍:
For more than thirty years, Social History has published scholarly work of consistently high quality, without restrictions of period or geography. Social History is now minded to develop further the scope of the journal in content and to seek further experiment in terms of format. The editorial object remains unchanged - to enable discussion, to provoke argument, and to create space for criticism and scholarship. In recent years the content of Social History has expanded to include a good deal more European and American work as well as, increasingly, work from and about Africa, South Asia and Latin America.