Herminio Serna and Death Row Childhood

J. Lockard
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Abstract

Herminio Serna (1966-2018) was an incarcerated Chicano / Indigenous writer on San Quentin State Prison’s Death Row for twenty-one years, most of which were spent in solitary confinement. His sole volume of prose poems, "Whisperings from Death Row", appeared two years prior to his death from a drug overdose. Like nearly all incarcerated writers, Serna’s work has received no critical notice. Serna’s writing describes a hellish psychological landscape within death row. The first section of this paper introduces Serna briefly, then explores questions relating to dialogism in prison writing and the exclusion of incarcerated writers such as Serna from public dialogue. A second section discusses Serna’s “death-bound childhood” as a function of death-bound subjectivity created by social terror regimes. A third and final section analyzes the transformation of Serna’s cell into a psychological purgatory, filled with darkness and pain. The context of writing under prolonged state terror in the imposition of capital punishment generates imagery, content, and a death row style.
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Herminio Serna和死囚区的童年
赫尔米尼奥·塞尔纳(1966-2018)是一名被关押在圣昆廷州立监狱死囚区21年的奇卡诺/土著作家,其中大部分时间是在单独监禁中度过的。他唯一的散文诗《死囚的低语》是在他死于吸毒过量的两年前出版的。像几乎所有被监禁的作家一样,塞尔纳的作品没有收到任何批评通知。瑟娜的作品描述了死囚牢房里地狱般的心理景观。本文的第一部分简要介绍了Serna,然后探讨了监狱写作中的对话主义以及像Serna这样的被监禁作家被排除在公共对话之外的问题。第二部分讨论了Serna的“死亡束缚的童年”,作为社会恐怖政权创造的死亡束缚的主体性的功能。第三部分也是最后一部分分析了塞尔娜的牢房变成一个充满黑暗和痛苦的心理炼狱的过程。在实行死刑的长期国家恐怖统治下写作的背景产生了意象、内容和死囚风格。
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“Are you the translator?”: Intermedial Narratives in Paisley Rekdal’s "Intimate: An American Family Photo Album" Volume 68.3 (2023) Herminio Serna and Death Row Childhood Miles Orvell, "Empire of Ruins: American Culture, Photography, and the Spectacle of Destruction" (New York: Oxford UP, 2021), 281 pp. Julia Elena Goldmann, "Fan Fiction Genres: Gender, Sexuality, Relationships and Family in the Fandoms ‘Star Trek’ and ‘Supernatural’" (Bielefeld: transcript, 2022), 353 pp.
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