J. Griffith Rollefson, Warrick Moses, Jason Ng, Patrick Marks (aka Pataphysics), Steven Gamble, Ophelia McCabe (aka 0phelia)
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引用次数: 0
Abstract
Abstract CIPHER: Hip Hop Interpellation is a global hip hop knowledge mapping project using ethnographic, digital, and arts practice research methods to better understand the emergences and flows of the culture's deeply local yet immanently global intertextualities. In this collaborative article, we network and develop ideas from six of CIPHER's global hip hop researchers, elaborating the project in method as well as theory. In so doing, we model our community-engaged CIPHER method of tracking thematic, conceptual, and archetypal relationships, presenting preliminary findings in four interrelated case studies: examples of hip hop knowledge transfer that evidence hip hop's generative glocal dialogue.
摘要:Hip Hop Interpellation是一个全球性的嘻哈知识测绘项目，使用民族志、数字和艺术实践研究方法，更好地了解嘻哈文化的出现和流动，这些文化具有深刻的地方性和内在的全球互文性。在这篇合作文章中，我们与CIPHER的六位全球嘻哈研究人员建立了联系，并发展了他们的想法，在方法和理论上详细阐述了这个项目。在此过程中，我们对社区参与的CIPHER方法进行了建模，以跟踪主题、概念和原型关系，并在四个相互关联的案例研究中提出了初步发现:嘻哈知识转移的例子，证明了嘻哈的生成性全球本地对话。
期刊介绍：
As the official journal of the Society for Ethnomusicology, Ethnomusicology is the premier publication in the field. Its scholarly articles represent current theoretical perspectives and research in ethnomusicology and related fields, while playing a central role in expanding the discipline in the United States and abroad. Aimed at a diverse audience of musicologists, anthropologists, folklorists, cultural studies scholars, musicians, and others, this inclusive journal also features book, recording, film, video, and multimedia reviews. Peer-reviewed by the Society’s international membership, Ethnomusicology has been published three times a year since the 1950s.
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