{"title":"Le plan et le parcours. Guider le visiteur dans la galerie impériale et royale de Vienne à la fin du xviii e siècle","authors":"Jean-François Laplénie","doi":"10.3917/eger.310.0179","DOIUrl":null,"url":null,"abstract":"The reorganisation of the Viennese imperial painting collections in Vienna according to artistic schools and periods, which took place in 1780-1781, is often regarded as an important milestone in the development of the modern museum idea. The new display is not only innovative in terms of the conception of art history that it reflects: Christian von Mechel, who completed the new presentation, took account of the new public and the new uses of the picture gallery, and in order to respond to them, he developed mediation mechanisms by means of texts (labels, small-format catalogue, gallery map) that refer to each other and enable two complementary modes of apprehension and use of the gallery: a static mode (the gallery map) that conceives the museum as a cartography of knowledge about art, and a dynamic mode (the visitor’s journey) that takes into account the temporality of the visit as well as the sensitive, emotional and bodily experiences associated with it.","PeriodicalId":41323,"journal":{"name":"ETUDES GERMANIQUES","volume":"26 1","pages":"0"},"PeriodicalIF":0.1000,"publicationDate":"2023-09-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"ETUDES GERMANIQUES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3917/eger.310.0179","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, GERMAN, DUTCH, SCANDINAVIAN","Score":null,"Total":0}
引用次数: 0
Abstract
The reorganisation of the Viennese imperial painting collections in Vienna according to artistic schools and periods, which took place in 1780-1781, is often regarded as an important milestone in the development of the modern museum idea. The new display is not only innovative in terms of the conception of art history that it reflects: Christian von Mechel, who completed the new presentation, took account of the new public and the new uses of the picture gallery, and in order to respond to them, he developed mediation mechanisms by means of texts (labels, small-format catalogue, gallery map) that refer to each other and enable two complementary modes of apprehension and use of the gallery: a static mode (the gallery map) that conceives the museum as a cartography of knowledge about art, and a dynamic mode (the visitor’s journey) that takes into account the temporality of the visit as well as the sensitive, emotional and bodily experiences associated with it.
期刊介绍：
La revue Études germaniques a pour but d"informer avec un grand souci d"impartialité et d"objectivité scientifique tous ceux qui s"intéressent à la vie du monde germanique (Allemagne, Suisse, pays scandinaves et néerlandais, études yiddish et judéo-allemandes), aussi bien sur des questions qui touchent à la linguistique, à la littérature, à l"histoire, à la philosophie, à l"art, à la religion — en un mot à la civilisation — qu"à celles qui relèvent de l"actualité et qui sont étudiées dans un esprit de savants et non de partisans.
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