Architectural Landscape. A New Interpretation of the Sloping Ceiling of Rekhmire’s Tomb Chapel (TT 100)

Antonio Muñoz Herrera
{"title":"Architectural Landscape. A New Interpretation of the Sloping Ceiling of Rekhmire’s Tomb Chapel (TT 100)","authors":"Antonio Muñoz Herrera","doi":"10.5944/etfvii.11.2023.37593","DOIUrl":null,"url":null,"abstract":"The tomb TT 100, belonging to the vizier Rekhmire, in the Theban necropolis (Luxor, Egypt), one of the best examples of funerary architecture of the Egyptian New Kingdom, has been widely studied since the beginning of the 20th century from the iconographic, historical and archaeological points of view. However, it has an anomalous structural feature for the classic Theban tomb typology of this period: a longitudinal corridor with a sloping ceiling ending in a combination of false stela and niche for a funerary statue. The anomaly, widely noted in classical literature, has been vaguely explained and often forgotten due to the celebrated decorative program that occupies the tomb.This study aims to offer a reinterpretation of this architectural feature of the tomb based on a landscape archaeology approach. According to this methodology, the ancestral landscape of the necropolis, and the architectural and artistic features of the tomb of his relative and predecessor in the vizierate Useramun are significant elements for the interpretation of this element. The main result is Rekhmire’s clear intention to emulate and replicate Useramun’s double funerary structure, not only from the artistic point of view (already demonstrated in previous studies) but also from the spatial point of view, copying the phenomenological experience of space and landscape in the architectural development of his tomb. An example of how landscape archaeology can be useful in the study of the art of this ancient culture.","PeriodicalId":11829,"journal":{"name":"Espacio Tiempo y Forma. Serie VII, Historia del Arte","volume":"1 1","pages":"0"},"PeriodicalIF":0.2000,"publicationDate":"2023-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Espacio Tiempo y Forma. Serie VII, Historia del Arte","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5944/etfvii.11.2023.37593","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0

Abstract

The tomb TT 100, belonging to the vizier Rekhmire, in the Theban necropolis (Luxor, Egypt), one of the best examples of funerary architecture of the Egyptian New Kingdom, has been widely studied since the beginning of the 20th century from the iconographic, historical and archaeological points of view. However, it has an anomalous structural feature for the classic Theban tomb typology of this period: a longitudinal corridor with a sloping ceiling ending in a combination of false stela and niche for a funerary statue. The anomaly, widely noted in classical literature, has been vaguely explained and often forgotten due to the celebrated decorative program that occupies the tomb.This study aims to offer a reinterpretation of this architectural feature of the tomb based on a landscape archaeology approach. According to this methodology, the ancestral landscape of the necropolis, and the architectural and artistic features of the tomb of his relative and predecessor in the vizierate Useramun are significant elements for the interpretation of this element. The main result is Rekhmire’s clear intention to emulate and replicate Useramun’s double funerary structure, not only from the artistic point of view (already demonstrated in previous studies) but also from the spatial point of view, copying the phenomenological experience of space and landscape in the architectural development of his tomb. An example of how landscape archaeology can be useful in the study of the art of this ancient culture.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
建筑景观。Rekhmire墓礼拜堂倾斜天花板的新解读(TT 100)
位于底比斯墓地(埃及卢克索)的vizier Rekhmire的陵墓TT 100,是埃及新王国丧葬建筑的最佳典范之一,自20世纪初以来,从肖像学、历史和考古学的角度进行了广泛的研究。然而,它有一个与这一时期的经典底比斯墓类型不同的结构特征:一条纵向走廊,倾斜的天花板,尽头是假石碑和葬礼雕像的壁龛。这种在古典文学中被广泛提及的反常现象,由于陵墓中著名的装饰程序,一直被模糊地解释并经常被遗忘。本研究旨在基于景观考古学的方法,对古墓的建筑特征进行重新解释。根据这一方法论,墓地的祖先景观,以及他的亲戚和前任在维齐亚蒙的坟墓的建筑和艺术特征是解释这一元素的重要因素。主要结果是Rekhmire明确意图模仿和复制Useramun的双重葬礼结构,不仅从艺术的角度(在之前的研究中已经证明),而且从空间的角度来看,在他的坟墓的建筑发展中复制空间和景观的现象学经验。这是景观考古学在研究这种古老文化的艺术中如何发挥作用的一个例子。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
CiteScore
0.20
自引率
0.00%
发文量
27
审稿时长
30 weeks
期刊最新文献
Reseña de: Vindel Gamonal, Jaime, Estética fósil. Imaginarios de la energía y crisis social María Luisa Gabriela de Saboya as the Woman of the Apocalypse: Ceremony, Oratory, and Millenarianism in New Spain, 1701-1714 La virreina mueve a la cuidad. La injerencia de las virreinas novohispanas en las procesiones. Siglo XVII Las virreinas se visten de fiesta. Poder y ostentación encapsulada en la Nueva España Introducción
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1