Take it Personally: What May it Take to Become Designers for Pluriversality?

Q1 Arts and Humanities Kepes Pub Date : 2023-06-30 DOI:10.17151/kepes.2023.20.27.2
Nicholas B. Torretta
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Abstract

This paper argues that if we aim to Design for pluriversality, we cannot do so from a universalist notion of what it means to be a Designer. This paper briefly describes the efforts of decolonizing Design, then looks into two Design approaches in socially engaged Design methods that frame how Designers connect to place and people: Situated Design and Design Empathy. These discourses are then further nuanced by adding a decolonial lens, nuancing how Designers are situated and engage through the colonial matrix of power. This then serves as a map of aspects to be taken into consideration for nuancing a Designer’s relation place, history, profession and people in the colonial matrix of power. This paper then suggest the notions of awarenessing, an action-oriented reflective awareness on one’s position, flexibility in Design processes and the incorporation of personal aspects into Designing as possible ways to open up for pluriversal Design stances. The paper concludes by outlining potential implications of opening up for such stances in doing, writing and teaching Design.
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从个人角度看:如何才能成为多元化的设计师?
本文认为,如果我们的目标是设计的多元性,我们不能从一个普遍的概念,这意味着什么是一个设计师。本文简要描述了非殖民化设计的努力,然后研究了社会参与设计方法中的两种设计方法,这两种设计方法构建了设计师如何与地点和人建立联系:情境设计和设计移情。通过添加非殖民化的镜头,这些话语进一步细致入微,微妙地改变了设计师的处境,并通过殖民主义的权力矩阵参与其中。然后,这可以作为一个地图,用来考虑设计师在权力的殖民矩阵中与地方、历史、职业和人的关系。然后,本文提出了意识的概念,对一个人的立场的行动导向的反思意识,设计过程中的灵活性以及将个人方面纳入设计的可能方法,以开辟多元化的设计立场。论文最后概述了在设计实践、写作和教学中开放这些立场的潜在影响。
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来源期刊
Kepes
Kepes Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.50
自引率
0.00%
发文量
21
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