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IF 0.5 0 FILM, RADIO, TELEVISION Music Sound and the Moving Image Pub Date : 2023-04-01 DOI:10.5406/19407610.16.1.05
{"title":"About the Authors","authors":"","doi":"10.5406/19407610.16.1.05","DOIUrl":null,"url":null,"abstract":"Other| April 01 2023 About the Authors Music and the Moving Image (2023) 16 (1): 73–80. https://doi.org/10.5406/19407610.16.1.05 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation About the Authors. Music and the Moving Image 1 April 2023; 16 (1): 73–80. doi: https://doi.org/10.5406/19407610.16.1.05 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressMusic and the Moving Image Search Advanced Search gillian b. anderson is an orchestral conductor and musicologist who has reconstructed over fifty mute film scores, some of which are found on Criterion films and the MoMA streaming website. Currently she is preparing a performing edition of D. W. Griffith's Way Down East (1920) for the AMS's Music of the United States of America series.maria behrendt studied musicology, media studies and French in Berlin, Münster, and Bangor (Wales), funded by the German Academic Scholarship Foundation and the German Academic Exchange Service. From 2014 to 2018, she worked as research fellow at the University of Music FRANZ LISZT Weimar. She completed her doctoral dissertation on “Romantic aspects in the German Lied of the 1830s” in 2018. Since 2021, she is a research fellow at the University of Marburg. Her postdoctoral project focuses on the reception of irish folk music in Hollywood films and its effect on the German perception... Issue Section: About the Authors You do not currently have access to this content.","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":null,"pages":null},"PeriodicalIF":0.5000,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Music Sound and the Moving Image","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5406/19407610.16.1.05","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
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Other| April 01 2023 About the Authors Music and the Moving Image (2023) 16 (1): 73–80. https://doi.org/10.5406/19407610.16.1.05 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation About the Authors. Music and the Moving Image 1 April 2023; 16 (1): 73–80. doi: https://doi.org/10.5406/19407610.16.1.05 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressMusic and the Moving Image Search Advanced Search gillian b. anderson is an orchestral conductor and musicologist who has reconstructed over fifty mute film scores, some of which are found on Criterion films and the MoMA streaming website. Currently she is preparing a performing edition of D. W. Griffith's Way Down East (1920) for the AMS's Music of the United States of America series.maria behrendt studied musicology, media studies and French in Berlin, Münster, and Bangor (Wales), funded by the German Academic Scholarship Foundation and the German Academic Exchange Service. From 2014 to 2018, she worked as research fellow at the University of Music FRANZ LISZT Weimar. She completed her doctoral dissertation on “Romantic aspects in the German Lied of the 1830s” in 2018. Since 2021, she is a research fellow at the University of Marburg. Her postdoctoral project focuses on the reception of irish folk music in Hollywood films and its effect on the German perception... Issue Section: About the Authors You do not currently have access to this content.
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其他| 2023年4月1日关于作者的音乐和运动图像(2023)16(1):73-80。https://doi.org/10.5406/19407610.16.1.05引用图标引用共享图标分享Facebook Twitter LinkedIn电子邮件权限搜索网站引用关于作者。音乐与动态影像2023年4月1日;16(1): 73-80。doi: https://doi.org/10.5406/19407610.16.1.05下载引文文件:Zotero参考经理EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex工具栏搜索搜索下拉菜单工具栏搜索搜索输入搜索输入自动建议过滤您的搜索所有学术出版集体伊利诺伊大学出版社音乐和运动图像搜索高级搜索吉莉安b.安德森是一位管弦乐指挥和音乐学家,他重建了50多个静音电影分数,其中一些是在标准电影和现代艺术博物馆流媒体网站上发现的。目前,她正在为美国音乐协会(AMS)的《美国音乐》系列准备格里菲斯(D. W. Griffith)的《往东走》(1920)的表演版。maria behrendt在德国学术奖学金基金会和德国学术交流中心的资助下,先后在柏林、德国东南部和威尔士班戈学习音乐学、传媒学和法语。2014年至2018年,她在魏玛音乐大学担任研究员。2018年,她完成了博士论文《19世纪30年代德国谎言中的浪漫主义》。自2021年起,她在马尔堡大学担任研究员。她的博士后项目主要研究好莱坞电影对爱尔兰民间音乐的接受及其对德国人看法的影响。问题部分:关于作者您目前没有访问此内容的权限。
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Music Sound and the Moving Image
Music Sound and the Moving Image FILM, RADIO, TELEVISION-
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