{"title":"Spaces of Absence in the European City: Stitching Urban Infrastructure to Contemporary Collective Life","authors":"Alona Martinez Perez","doi":"10.1080/20507828.2021.1878762","DOIUrl":null,"url":null,"abstract":"This paper examines spaces in the European City that are often defined as peripheral, empty and absent. “Spaces of absence” – as Koolhaas defined them in an interview with Hans Ulrich Obrist – can have a stronger presence as a consequence of their history and, like the Berlin wall, generate a unique condition. In an empty city center or on city outskirts they often evolve organically. Focusing on Madrid and Rome, this paper first, proposes to re-visit the significance of Stefano Boeri’s peripheral sites in L’anticitta (or The Anticity), “terrain vague” or waste ground (Ignasi de Sol a-Morales) sites and Marc Aug e’s Non-place(s). Second, it uses the visual essay to contemplate the critical role that these three types of spaces of absence can have in the European city and argues that the very attribute of absence that they contain can, conversely, create urban presence by stitching together urban infrastructure and everyday collective life. Introduction: Spaces of Absence In an interview conversation with Hans Ulrich Obrist, Rem Koolhaas explains that: ARCHITECTURE AND CULTURE Alona Martinez Perez Leicester School of Architecture, De Montfort University, Leicester, UK alona.martinezperez@dmu. ac.uk","PeriodicalId":42146,"journal":{"name":"Architecture and Culture","volume":"45 2","pages":"625-634"},"PeriodicalIF":1.1000,"publicationDate":"2021-02-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Architecture and Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/20507828.2021.1878762","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
引用次数: 0
Abstract
This paper examines spaces in the European City that are often defined as peripheral, empty and absent. “Spaces of absence” – as Koolhaas defined them in an interview with Hans Ulrich Obrist – can have a stronger presence as a consequence of their history and, like the Berlin wall, generate a unique condition. In an empty city center or on city outskirts they often evolve organically. Focusing on Madrid and Rome, this paper first, proposes to re-visit the significance of Stefano Boeri’s peripheral sites in L’anticitta (or The Anticity), “terrain vague” or waste ground (Ignasi de Sol a-Morales) sites and Marc Aug e’s Non-place(s). Second, it uses the visual essay to contemplate the critical role that these three types of spaces of absence can have in the European city and argues that the very attribute of absence that they contain can, conversely, create urban presence by stitching together urban infrastructure and everyday collective life. Introduction: Spaces of Absence In an interview conversation with Hans Ulrich Obrist, Rem Koolhaas explains that: ARCHITECTURE AND CULTURE Alona Martinez Perez Leicester School of Architecture, De Montfort University, Leicester, UK alona.martinezperez@dmu. ac.uk
期刊介绍:
Architecture and Culture, the international award winning, peer-reviewed journal of the Architectural Humanities Research Association, investigates the relationship between architecture and the culture that shapes and is shaped by it. Whether culture is understood extensively, as shared experience of everyday life, or in terms of the rules and habits of different disciplinary practices, Architecture and Culture asks how architecture participates in and engages with it – and how both culture and architecture might be reciprocally transformed. Architecture and Culture publishes exploratory research that is purposively imaginative, rigorously speculative, visually and verbally stimulating. From architects, artists and urban designers, film-makers, animators and poets, from historians of culture and architecture, from geographers, anthropologists and other social scientists, from thinkers and writers of all kinds, established and new, it solicits essays, critical reviews, interviews, fictional narratives in both images and words, art and building projects, and design hypotheses. Architecture and Culture aims to promote a conversation between all those who are curious about what architecture might be and what it can do.