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“We Don’t Want a Multicultural Minaret, We Want an Islamic Minaret”: Negotiating the Past in the Production of Contemporary Muslim Architecture in Britain "我们不要多元文化尖塔,我们要伊斯兰尖塔":英国当代穆斯林建筑制作中的过去谈判
IF 0.8 0 ARCHITECTURE Pub Date : 2024-07-29 DOI: 10.1080/20507828.2024.2366726
Shahed Saleem
Most of the 1800 mosques in Britain today have been formed through the conversion and adaptation of existing buildings; some 200 are purpose built. With the larger adaptations and purpose-built mos...
如今,英国的 1800 座清真寺中,大部分是通过改建和改造现有建筑而形成的;约有 200 座是专门建造的。改建和专门建造的清真寺规模较大...
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引用次数: 0
From Mission Hall to Church: Theology, Culture and Architecture on a South London Estate 从传道厅到教堂:伦敦南部一个庄园的神学、文化和建筑
IF 0.8 0 ARCHITECTURE Pub Date : 2024-02-29 DOI: 10.1080/20507828.2023.2214762
Sarah A. Dowding
In the UK, small faith buildings of “ordinary” appearance, occupied by Christian congregations who reject ideas of sacred space, have tended to be passed over by the historical record and continue ...
在英国,外观 "普通 "的小型信仰建筑往往被摒弃神圣空间理念的基督教会所占据,而被历史记录所忽略,并继续......
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引用次数: 0
59 Brick Lane: A History of Adaptive Reuse 砖巷 59 号适应性再利用的历史
IF 0.8 0 ARCHITECTURE Pub Date : 2024-01-19 DOI: 10.1080/20507828.2023.2260981
Rebekah Coffman
This paper explores the history of 59 Brick Lane (presently Brick Lane Jamme Masjid) in Spitalfields, East London through the lens of adaptive reuse. 59 Brick Lane was initially built in 1743 as a ...
本文从适应性再利用的角度探讨了伦敦东区斯皮塔菲尔兹的布里克巷 59 号(现为布里克巷贾姆清真寺)的历史。布里克巷 59 号最初建于 1743 年,是一座 ...
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引用次数: 0
Urban Space and the Cultural Construction of Modern Subjectivities: Tehran’s Women in Novels 城市空间与现代主体性的文化建构:小说中的德黑兰女性
IF 0.8 0 ARCHITECTURE Pub Date : 2024-01-19 DOI: 10.1080/20507828.2023.2286058
Somaiyeh Falahat
Exploring Tehran’s urban modernity through the Iranian novel, this paper argues that the identities of modern urban space and modern female subjectivities are constructed in an intertwined relation...
本文通过伊朗小说探索德黑兰的城市现代性,认为现代城市空间和现代女性主体性的身份是在相互交织的关系中建构起来的。
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引用次数: 0
Call to Holy Ground : Connecting People and Place 呼唤圣地:连接人和地方
0 ARCHITECTURE Pub Date : 2023-11-07 DOI: 10.1080/20507828.2023.2250667
Laura Moffatt
AbstractThis photo essay describes a community art project that took place during 2020-2021. It was initiated, curated and managed by Art and Christianity and engaged the artist collaborative Fourthland. Through engagement with two active worshiping communities—Christian and Hindu—in Leytonstone, east London, the artists drew together cultural narratives, personal belief, orthodox religious practice and theology, ecological activism, art and performance. The project unfolded organically with participants directing its focus and flourishing; the artists structured and choreographed its visual and performative elements.Keywords: HinduismChristianityinterfaithsocial practicecommunity art projectperformance artsite-specific artecology Notes1. https://www.fourthland.com/about (accessed May 2023).2. “Launched in 2017, the Mayor of London’s Borough of Culture award brings Londoners together. It puts culture at the heart of local communities, where it belongs, illuminating the character and diversity of London’s boroughs and showing culture is for everyone,” https://www.london.gov.uk/programmes-strategies/arts-and-culture/current-culture-projects/london-borough-culture (accessed May 2023).3. The Zoom sessions were open to both communities, but it was the Hindu women who joined them.4. There are two artists in Fourthland, Isik and Eva. Eva was in Spain during the Covid lockdowns, and participated in the project remotely.5. The nuns and many of the women from the Church and Temple already knew each other through an interfaith network in the area.6. See https://leytonstonelovesfilm.com/ (accessed May 2023). Leytonstone Loves Film is a free film festival, which began in 2019 as part of the Borough of Culture events (Leytonstone was the birthplace of Alfred Hitchcock, one of the reasons given for the launch of the film festival).Additional informationFundingCall to Holy Ground was funded by the Arts Council of England, the Morel Trust, the Prince’s Trust and the Lady Peel Charitable Trust.Notes on contributorsLaura MoffattLaura Moffatt is Director of Art and Christianity, the UK’s leading educational organization in the field of art and religion. She is co-author of Contemporary Church Buildings (John Wiley, 2007) and co-editor of Contemporary Art in British Churches (ACE, 2009) and sits on the London Diocesan Advisory Committee and the Church Buildings Council.
摘要这篇摄影文章描述了一个发生在2020-2021年的社区艺术项目。它是由艺术与基督教发起、策划和管理的,并参与了艺术家合作的第四王国。通过与东伦敦莱顿斯通的两个活跃的崇拜社区——基督教和印度教——的接触,艺术家们将文化叙事、个人信仰、正统宗教实践和神学、生态行动主义、艺术和表演结合在一起。项目在参与者的指导下有机地展开,发展壮大;艺术家们组织和编排了它的视觉和表演元素。关键词:印度教基督教跨信仰社会实践社区艺术项目行为艺术特定场所艺术https://www.fourthland.com/about(2023年5月访问)“伦敦市长文化区奖于2017年推出,将伦敦人聚集在一起。它将文化置于当地社区的核心,它所属的地方,照亮了伦敦各区的特征和多样性,并展示了文化是为每个人服务的,”https://www.london.gov.uk/programmes-strategies/arts-and-culture/current-culture-projects/london-borough-culture(2023年5月访问)。Zoom会议对两个社区都开放,但加入他们的是印度教妇女。在荷兰有两位艺术家,伊西克和伊娃。在新冠肺炎疫情封锁期间,伊娃在西班牙,远程参与了该项目。修女和许多来自教堂和寺庙的妇女已经通过该地区的跨宗教网络相互认识了。参见https://leytonstonelovesfilm.com/(访问日期为2023年5月)。莱顿斯通爱电影是一个免费电影节,于2019年开始作为文化活动区的一部分(莱顿斯通是阿尔弗雷德·希区柯克的出生地,这是电影节启动的原因之一)。《呼唤圣地》由英格兰艺术委员会、莫雷尔信托基金、王子信托基金和皮尔夫人慈善信托基金资助。劳拉·莫法特(laura Moffatt)是英国艺术与宗教领域领先的教育机构——艺术与基督教的主任。她是《当代教堂建筑》(John Wiley, 2007)的合著者,《英国教堂当代艺术》(ACE, 2009)的合著者,也是伦敦教区咨询委员会和教堂建筑委员会的成员。
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引用次数: 0
Housing and Domesticity 房屋及家庭生活
IF 0.8 0 ARCHITECTURE Pub Date : 2023-10-20 DOI: 10.1080/20507828.2022.2121898
Lilian Chee
Published in Architecture and Culture (Vol. 10, No. 3, 2022)
发表于《建筑与文化》(2022年第10卷第3期)
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引用次数: 0
Inhabitation, Housing and the City 居住、住房和城市
IF 0.8 0 ARCHITECTURE Pub Date : 2023-10-20 DOI: 10.1080/20507828.2023.2251823
Katharina Borsi, Diana Periton
Published in Architecture and Culture (Vol. 10, No. 3, 2022)
发表于《建筑与文化》(2022年第10卷第3期)
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引用次数: 0
Between the Sacred and Secular: Faith, Space, and Place in the Twenty-First Century 在神圣与世俗之间:21世纪的信仰、空间和地点
IF 0.8 0 ARCHITECTURE Pub Date : 2023-06-22 DOI: 10.1080/20507828.2023.2211823
K. Jordan
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引用次数: 0
Homes for Today and Tomorrow: Britain’s Parker Morris Standards and the West Ham Experimental Scheme 今天和明天的家园:英国帕克莫里斯标准和西汉姆实验计划
IF 0.8 0 ARCHITECTURE Pub Date : 2023-05-23 DOI: 10.1080/20507828.2022.2198299
Savia Palate
Abstract Late 1950s Britain witnessed an unprecedented affordability of consumer goods which, along with a comparative increase in wages for the lower paid, led to a close convergence of middle- and working-class living standards. The home became the eminent site for the expression of this affluence, confirmed in its role by the government publication in 1961 of Homes for Today and Tomorrow, usually known as the Parker Morris Report. This new report on space standards argued for flexibility in the design of the home, which it associated with notions of freedom, individuality, and choice. The report sought to move away from standardized layout plans and from the prevailing view of housing tenants as uniform, undifferentiated subjects. This paper focuses on the building of an experimental housing project at West Ham, the first to espouse Parker Morris ideals. It does so in order to explore the difficulties involved in realizing these aspirations for housing adaptable enough to allow for acquisitiveness and individual freedom, and to ask why the recommendations of the report seemed so controversial.
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引用次数: 0
Intensity as the Perceivable Dimension of Density in the Urban Environment: The Case of Housing Blocks by MBM Arquitectes in Barcelona, Spain 强度作为城市环境中密度的可感知维度:MBM Arquitectes在西班牙巴塞罗那的住宅街区案例
IF 0.8 0 ARCHITECTURE Pub Date : 2023-05-18 DOI: 10.1080/20507828.2023.2187203
C. De Marinis
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引用次数: 0
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