{"title":"Le discours médiatique transatlantique avant 1900: L'exemple de la première tournée de Sarah Bernhardt en Amérique","authors":"Corina Sandu","doi":"10.1353/ncf.2023.a911803","DOIUrl":null,"url":null,"abstract":"<p><p>Abstract:</p><p>Sarah Bernhardt's first American tour (1880–81) is one of the most publicized cultural events in France and the United States. The controversial actress's performances are commented at length by the Parisian press and the American newspapers, as well as the account of the actress Marie Colombier, fragments of which appear in the press. In my study of this vast corpus of publications from a discourse analysis perspective, I focus on the transatlantic media discourse: a specific discourse based on socio-cultural stereotypes, highlighting new relationships and commonalities in the French and American media systems. While emphasizing the impact of the concepts of distance and circulation on transatlantic media discourse and its enunciators, this article will also point out the similarities between this particular discourse and that of the French colonial press at the end of the nineteenth century. (In French)</p></p>","PeriodicalId":42524,"journal":{"name":"NINETEENTH-CENTURY FRENCH STUDIES","volume":"14 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2023-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"NINETEENTH-CENTURY FRENCH STUDIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/ncf.2023.a911803","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:
Sarah Bernhardt's first American tour (1880–81) is one of the most publicized cultural events in France and the United States. The controversial actress's performances are commented at length by the Parisian press and the American newspapers, as well as the account of the actress Marie Colombier, fragments of which appear in the press. In my study of this vast corpus of publications from a discourse analysis perspective, I focus on the transatlantic media discourse: a specific discourse based on socio-cultural stereotypes, highlighting new relationships and commonalities in the French and American media systems. While emphasizing the impact of the concepts of distance and circulation on transatlantic media discourse and its enunciators, this article will also point out the similarities between this particular discourse and that of the French colonial press at the end of the nineteenth century. (In French)
期刊介绍：
Nineteenth-Century French Studies provides scholars and students with the opportunity to examine new trends, review promising research findings, and become better acquainted with professional developments in the field. Scholarly articles on all aspects of nineteenth-century French literature and criticism are invited. Published articles are peer reviewed to ensure scholarly integrity. This journal has an extensive book review section covering a variety of disciplines. Nineteenth-Century French Studies is published twice a year in two double issues, fall/winter and spring/summer.
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