{"title":"Alimentary Temporalities: Queer Food, Asexuality, and the Global Culinary-Roman","authors":"Bonnie Shishko","doi":"10.1353/sdn.2023.a913305","DOIUrl":null,"url":null,"abstract":"<p><p>This essay explores the queer temporalities figured within “culinary-romane”: those contemporary, coming-of-age novels that use food to interrogate the literary construct of the female journey. In opposition to the female <i>Bildungsroman</i>, which maps maturation via hegemonic temporal structures—historical, narrative, reproductive—the culinary-roman cleaves development from heteropatriarchal time. Instead, it conceives anti-normative models of female development via “alimentary temporalities”: atemporal narrative spaces constructed through recipes, food nightmares, family meals, and magical cooking and eating. Using Han Kang’s surrealist allegory <i>The Vegetarian</i> (2007) as a case study, this essay uncovers the ways strange alimentary temporalities in Han’s novel formally decenter sexual attraction as a marker of modern subject formation, uncovering the <i>Bildungsroman</i>’s structural perpetuation of compulsory sexuality and its attendant abuses. Through its food-driven, double frame-tale narration, <i>The Vegetarian</i> unsettles received notions of narrative coherence, generic classification, and the relationship between sexuality and subjectivity.</p></p>","PeriodicalId":54138,"journal":{"name":"STUDIES IN THE NOVEL","volume":"25 1","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2023-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"STUDIES IN THE NOVEL","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/sdn.2023.a913305","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
Abstract
This essay explores the queer temporalities figured within “culinary-romane”: those contemporary, coming-of-age novels that use food to interrogate the literary construct of the female journey. In opposition to the female Bildungsroman, which maps maturation via hegemonic temporal structures—historical, narrative, reproductive—the culinary-roman cleaves development from heteropatriarchal time. Instead, it conceives anti-normative models of female development via “alimentary temporalities”: atemporal narrative spaces constructed through recipes, food nightmares, family meals, and magical cooking and eating. Using Han Kang’s surrealist allegory The Vegetarian (2007) as a case study, this essay uncovers the ways strange alimentary temporalities in Han’s novel formally decenter sexual attraction as a marker of modern subject formation, uncovering the Bildungsroman’s structural perpetuation of compulsory sexuality and its attendant abuses. Through its food-driven, double frame-tale narration, The Vegetarian unsettles received notions of narrative coherence, generic classification, and the relationship between sexuality and subjectivity.
期刊介绍:
From its inception, Studies in the Novel has been dedicated to building a scholarly community around the world-making potentialities of the novel. Studies in the Novel started as an idea among several members of the English Department of the University of North Texas during the summer of 1965. They determined that there was a need for a journal “devoted to publishing critical and scholarly articles on the novel with no restrictions on either chronology or nationality of the novelists studied.” The founding editor, University of North Texas professor of contemporary literature James W. Lee, envisioned a journal of international scope and influence. Since then, Studies in the Novel has staked its reputation upon publishing incisive scholarship on the canon-forming and cutting-edge novelists that have shaped the genre’s rich history. The journal continues to break new ground by promoting new theoretical approaches, a broader international scope, and an engagement with the contemporary novel as a form of social critique.