Contributors

IF 0.5 2区 文学 0 LITERATURE STUDIES IN THE NOVEL Pub Date : 2023-11-29 DOI:10.1353/sdn.2023.a913309
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Abstract

In lieu of an abstract, here is a brief excerpt of the content:

  • Contributors

Aristides Dimitriou (PhD, UC Berkeley) is an Assistant Professor of English at Gettysburg College where he teaches courses on ethnic literatures of the US and hemispheric American studies. His work has been published in MELUS, Arizona Quarterly, and College Literature. He is currently developing a book that examines how US, Caribbean, and Latin American authors developed a decolonial imagination by experimenting with time and narrative in the twentieth century.

Angela Yang Du is a Postdoctoral Fellow at the University of North Carolina-Asheville and a PhD candidate at the University of Toronto. Her dissertation for Social Justice podcast.

Rachel M. Friars is a doctoral candidate in the Department of English Language and Literature at Queen’s University in Kingston, Ontario, Canada. Her current research centers on neo-Victorianism and nineteenth-century lesbian literature and history. Her work has been published with Palgrave Macmillan, the Journal of Neo-Victorian Studies, Lexington Books, Crime Studies Journal, and Queer Studies in Media and Popular Culture, and is forthcoming in The Palgrave Handbook of Neo-Victorianism.

Tara MacDonald is Associate Professor and Department Chair at the University of Idaho. Her research and teaching focus on nineteenth-century literature, gender, and narrative theory. She is the author of Narrative, Affect, and Victorian Sensation: Wilful Bodies (Edinburgh University Press) and The New Man, Masculinity and Marriage in the Victorian Novel (Routledge).

Valentina Montero Román is an Assistant Professor of English at the University of California, Irvine. Her research and teaching focus on gender, race, and narrative form. Her work appears in Genre, Modern Fiction Studies, and the essay collection Latinx Ciné in the Twenty-First Century.

Julyan Oldham is an AHRC-funded DPhil student at Magdalen College, University of Oxford. With reference to a wide range of writers from Virginia Woolf and Dorothy Richardson to Wyndham Lewis and Aldous Huxley, their research looks at virginity in early twentieth-century British novels. They are particularly interested in how the language of virginity sheds new light on modernist stylizations of time, sentimentality, Englishness, and spirituality.

Chiara Pellegrini is an Associate Lecturer in English literature at Newcastle University. She has published on queer theory and film adaptation, trans memoirs and narrative time, queer temporalities in film and television, and textual bodies in intersex narratives. She is the co-editor of a special issue of Narrative entitled “Trans/forming Narrative Studies” (2024). Her monograph Trans Narrators: First-Person Form and the Gendered Body in Contemporary Literature is forthcoming with Edinburgh University Press.

Cynthia Quarrie is an Assistant Professor of English at Concordia University in Montreal, where she specializes in contemporary British and post-colonial fiction. She has published in the Journal of Modern Literature, Irish Studies Review, Studies in the Novel, Critique: Studies in Contemporary Fiction, ASAP/J, and Contemporary Literature and is at work on a manuscript about environmental custodianship, nativism, and race in contemporary British writing.

Bonnie Shishko is Assistant Professor of English at Queens University of Charlotte. Her teaching and research focus on Victorian literature and culture, feminist and queer theory, and food writing. Her work on food, gender, and sexuality has appeared or is forthcoming in Elizabeth Robins Pennell: Critical Essays (Edinburgh University Press) and Teaching Food in Literature (MLA Press), as well as Journal of Victorian Culture Online and The Recipes Project.

Copyright © 2023 Johns Hopkins University Press and the University of North Texas ...

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作者Aristides Dimitriou(加州大学伯克利分校博士)是葛底斯堡学院的英语助理教授,他在那里教授美国种族文学和美国半球研究课程。他的作品已发表在MELUS,亚利桑那季刊和大学文学。他目前正在撰写一本书,研究美国、加勒比地区和拉丁美洲的作家如何通过对20世纪的时间和叙事进行实验,发展出一种非殖民化的想象力。Angela Yang Du,北卡罗来纳大学阿什维尔分校博士后,多伦多大学博士研究生。她为社会正义播客写的论文。Rachel M. Friars是加拿大安大略省金斯敦皇后大学英语语言文学系的博士候选人。她目前的研究重点是新维多利亚主义和19世纪女同性恋文学和历史。她的作品已与Palgrave Macmillan,新维多利亚研究杂志,列克星敦书籍,犯罪研究杂志,以及媒体和流行文化中的酷儿研究一起发表,并即将在新维多利亚主义的Palgrave手册中发表。Tara MacDonald是爱达荷大学的副教授和系主任。她的研究和教学重点是19世纪文学、性别和叙事理论。她著有《叙事、情感和维多利亚时代的感觉:任性的身体》(爱丁堡大学出版社)和《维多利亚时代小说中的新人、男子气概和婚姻》(劳特利奇出版社)。瓦伦蒂娜·蒙特罗Román是加州大学欧文分校的英语助理教授。她的研究和教学重点是性别、种族和叙事形式。她的作品发表在《体裁》、《现代小说研究》和散文集《二十一世纪的拉丁电影》中。朱利安·奥尔德姆是牛津大学莫德林学院的一名ahrc资助的博士生。参考了从弗吉尼亚·伍尔夫和多萝西·理查森到温德姆·刘易斯和奥尔德斯·赫胥黎等众多作家的作品,他们的研究着眼于20世纪早期英国小说中的童贞。他们特别感兴趣的是,处女的语言如何揭示了时间、多愁善感、英国风格和灵性的现代主义风格化。基娅拉·佩莱格里尼是纽卡斯尔大学英国文学副讲师。她的著作包括酷儿理论和电影改编,跨性别回忆录和叙事时间,电影和电视中的酷儿时间性,以及双性人叙事中的文本体。她是《叙事》特刊《Trans/forming Narrative Studies》(2024)的联合编辑。她的专著《跨式叙述者:当代文学中的第一人称形式和性别化的身体》即将由爱丁堡大学出版社出版。辛西娅·夸里(Cynthia Quarrie)是蒙特利尔康考迪亚大学(Concordia University)的英语助理教授,专门研究当代英国和后殖民小说。她曾在《现代文学杂志》、《爱尔兰研究评论》、《小说研究》、《批判:当代小说研究》、《ASAP/J》和《当代文学》上发表文章,目前正在撰写一份关于当代英国写作中的环境管理、本土主义和种族的手稿。Bonnie Shishko是夏洛特皇后大学的英语助理教授。她的教学和研究主要集中在维多利亚时代的文学和文化,女权主义和酷儿理论,以及美食写作。她关于食物、性别和性行为的作品已经或即将出版于《伊丽莎白·罗宾斯·彭内尔:评论文章》(爱丁堡大学出版社)和《文学中的食物教学》(MLA出版社),以及《维多利亚文化在线杂志》和《食谱计划》。版权所有©2023约翰霍普金斯大学出版社和北德克萨斯大学…
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来源期刊
STUDIES IN THE NOVEL
STUDIES IN THE NOVEL LITERATURE-
CiteScore
0.40
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28
期刊介绍: From its inception, Studies in the Novel has been dedicated to building a scholarly community around the world-making potentialities of the novel. Studies in the Novel started as an idea among several members of the English Department of the University of North Texas during the summer of 1965. They determined that there was a need for a journal “devoted to publishing critical and scholarly articles on the novel with no restrictions on either chronology or nationality of the novelists studied.” The founding editor, University of North Texas professor of contemporary literature James W. Lee, envisioned a journal of international scope and influence. Since then, Studies in the Novel has staked its reputation upon publishing incisive scholarship on the canon-forming and cutting-edge novelists that have shaped the genre’s rich history. The journal continues to break new ground by promoting new theoretical approaches, a broader international scope, and an engagement with the contemporary novel as a form of social critique.
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