The making of All That Is Buried: dialog, chronotope and decoloniality

Maire Tracey, Simon Stanton-Sharma, Sanja Nivesjö, Emma Barnes, Jade Munslow Ong
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Abstract

This article argues for the utility of Mikhail Bakhtin’s literary theories in developing dialogic and decolonial filmmaking practices. Using the example of our research-led documentary film, All Th...
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制作《被掩埋的一切》:对话、时序表和去殖民化
本文论证了米哈伊尔-巴赫金的文学理论在发展对话和非殖民化电影制作实践中的实用性。以我们研究主导的纪录片《All Th...
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