Aesthetic Blame

Pub Date : 2023-12-12 DOI:10.1017/apa.2023.25
ROBBIE KUBALA
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Abstract

One influential tradition holds that blame is a moral attitude: blame is appropriate only when the target of blame has violated a moral norm without excuse or justification. Against this, some have recently argued that agents can be blameworthy for their violation of epistemic norms even when no moral norms are thereby violated. This paper defends the appropriateness of aesthetic blame: agents can be blameworthy for their violation of aesthetic norms as such, where aesthetic norms are the norms of social practices that aim at aesthetic values. I adapt a generic account of blame as protest, which can take variable forms, and then argue that aesthetic distortion cases—cases in which an existing artwork is distorted in its presentation—most clearly warrant blame even in the absence of violations of moral norms.

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审美责任
一种有影响力的传统认为,责备是一种道德态度:只有当责备的对象毫无借口或理由地违反了道德规范时,责备才是恰当的。针对这一观点,最近有人提出,即使没有违反道德规范,行为人也可以因违反认识规范而受到指责。本文为审美责难的适当性进行了辩护:行为人可以因其违反审美规范本身而受到责难,这里的审美规范是以审美价值为目标的社会实践规范。我对作为抗议的责备进行了一般性的解释,它可以采取多种形式,然后论证了审美失真案例--现有艺术品在展示过程中被歪曲的案例--即使没有违反道德规范,也应受到最明确的责备。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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