Pascal without Apology

IF 0.2 2区 文学 N/A LITERATURE MODERN LANGUAGE QUARTERLY Pub Date : 2023-12-08 DOI:10.1215/00267929-10929002
Christopher Braider
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Abstract

We’ve always had two Pascals, one apologetic, the other startlingly unapologetic. The unapologetic Pascal is the merciless, proto-ethnographic observer of human psychology and human social arrangements whose sardonic picture of what he calls the wretchedness of life without God is summed up in the strikingly Hobbesian chiasmus “Lacking the might to compel obedience to right, we’ve made it right to compel obedience to might.” However, Pascal turns demoralizing insights like this to apologetic purposes by showing how they’re the natural effect of a lack of specifically Christian belief. The question this essay poses against the background of the conflicted history of Pascalian exegesis is, how should we read the Pensées? The answer proposed is that we should do so in the dialectical terms that Pascal’s characteristic resort to chiasmoi like this one suggest. The result takes the form of a three-cornered conversation that links Pascalian thinking not only to the Hobbes of Leviathan but to the Hegel of the Phenomenology of Spirit and the Elements of Right and to the Wittgenstein of the late, sadly fruitless notebook On Certainty.
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无须道歉的帕斯卡尔
我们总是有两个帕斯卡,一个在道歉,另一个却毫不道歉。毫无悔意的帕斯卡是冷酷无情的,人类心理和人类社会安排的原始民族志观察者,他对没有上帝的悲惨生活的讽刺,总结为霍布斯式的惊人的交错,“缺乏力量来迫使服从于权利,我们已经使它成为正确的,迫使服从于权力。”然而,帕斯卡把这种令人沮丧的见解变成了道歉的目的,他展示了它们是缺乏基督教信仰的自然结果。这篇文章提出的问题是,在帕斯卡利亚释经的历史冲突的背景下,我们应该如何阅读彭萨梅斯?建议的答案是,我们应该用辩证的方式来解决这个问题,帕斯卡的特点就是求助于像这样的交叉点。结果形成了一个三方对话的形式,帕斯卡利亚的思想不仅与霍布斯的《利维坦》联系在一起,还与黑格尔的《精神现象学》和《权利要素》联系在一起,与维特根斯坦后来的《论确定性》联系在一起,可惜没有结果。
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
30
期刊介绍: MLQ focuses on change, both in literary practice and within the profession of literature itself. The journal is open to essays on literary change from the Middle Ages to the present and welcomes theoretical reflections on the relationship of literary change or historicism to feminism, ethnic studies, cultural materialism, discourse analysis, and all other forms of representation and cultural critique. Seeing texts as the depictions, agents, and vehicles of change, MLQ targets literature as a commanding and vital force.
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