Sharing Maternal Fantasies

Q2 Arts and Humanities Barnboken Pub Date : 2023-12-07 DOI:10.14811/clr.v46.825
Frauke Pauwels
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Abstract

Adult characters in children’s literature often remain in the “blind space”, Vanessa Joosen observes (Adulthood). Whereas this is true for a lot of children’s books, there are also picturebooks that focus on mothers, often designed as tributes to motherhood. Within this array of books on mothers, however, some offer a more nuanced portrayal of motherhood than others. Samtidigt i min låtsasvärld (Meanwhile in My Imaginary World, 2018) by Lisa Bjärbo and Emma AdBåge shares a mother’s imagination with the readers. The mother’s inner world is connected to shared pleasures, which are easily considered to be “childlike”. By using a mother’s perspective in a picturebook intended for children and adults Bjärbo and AdBåge create an intergenerational experience. Building on concepts and insights from sociology, age studies and children’s literature studies and the textual and visual analysis of Samtidigt i min låtsasvärld, I reflect on the way picturebooks have the affordances to create an intergenerational understanding of daily situations and, by doing so, could contribute to breaking the good mom myth.
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分享母性幻想
凡妮莎·乔森(Vanessa Joosen)指出,儿童文学中的成人角色往往停留在“盲区”。虽然很多儿童读物都是如此,但也有一些以母亲为主题的绘本,通常是为了向母亲致敬而设计的。然而,在这一系列关于母亲的书中,有些书对母亲的描述比其他书更细致入微。《Samtidigt i min låtsasvärld》(同时在我的想象世界,2018)作者:Lisa Bjärbo和Emma adb与读者分享一个母亲的想象。母亲的内心世界与共同的快乐相连,这很容易被认为是“孩子气的”。通过在一本针对儿童和成人的绘本中使用母亲的视角,Bjärbo和adb创造了一种代际体验。基于社会学、年龄研究和儿童文学研究的概念和见解,以及Samtidigt i min låtsasvärld的文本和视觉分析,我反思了绘本如何能够创造对日常情况的代际理解,并通过这样做,有助于打破好妈妈的神话。
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来源期刊
Barnboken
Barnboken Arts and Humanities-Literature and Literary Theory
CiteScore
0.40
自引率
0.00%
发文量
22
审稿时长
20 weeks
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