Violence-as-Norm in the Postcolony

Q3 Arts and Humanities Matatu Pub Date : 2023-12-05 DOI:10.1163/18757421-05402009
Mathias Iroro Orhero, Chikezirim Nwoke
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Abstract

In this paper, we explore forms of statist violence in both colonial and postcolonial contexts to underscore it as a constant in a postcolonial location like Nigeria. In addition to exploring how statist violence works, we also position civic dissent as a strategy employed in the colony and postcolony to confront statist violence. Our theorization of “violence-as-norm” is motivated by earlier ideas like the works of the South Asian Subaltern Studies Collective, Tejumola Olaniyan’s “postcolonial incredible,” Toyin Falola’s views on violence within Nigerian history, and Achille Mbembe’s notions of banality and vulgarity in the postcolony. Our paper engages with Peter Omoko’s Majestic Revolt to demonstrate how “violence-as-norm” mediates colonial violence and civic dissent. Furthermore, by close-reading Chiedozie Omeje’s “When Cowards Win,” we explore postcolonial forms of violence through the EndSARS movement against police brutality in Nigeria to demonstrate how civic dissent is performed and ruptured in the contemporary moment. Ultimately, our research positions the Fanonist category of violence as a way to imagine the inherent coloniality of postcolonial nation-states, thereby extending the critique of the nation-form in postcolonial studies.
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后殖民中的暴力即规范
在本文中,我们探讨了殖民和后殖民背景下国家主义暴力的形式,以强调它在尼日利亚等后殖民地区是一个常数。除了探索中央集权暴力如何运作之外,我们还将公民异议定位为殖民地和后殖民地对抗中央集权暴力的一种策略。我们对“暴力即规范”的理论是受到早期思想的启发,如南亚次等研究团体的作品、Tejumola Olaniyan的“后殖民不可思议”、Toyin Falola对尼日利亚历史中的暴力的看法,以及Achille Mbembe在后殖民时期的平庸和庸俗观念。我们的论文结合Peter Omoko的《雄伟的反抗》来展示“暴力作为规范”是如何调解殖民暴力和公民异议的。此外,通过仔细阅读Chiedozie Omeje的《当懦夫获胜》,我们通过EndSARS运动来探索后殖民时期的暴力形式,以反对尼日利亚的警察暴行,以展示公民异议在当代是如何表现和破裂的。最终,我们的研究将狂热主义的暴力范畴定位为一种想象后殖民民族国家固有的殖民性的方式,从而扩展了后殖民研究中对民族形式的批判。
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来源期刊
Matatu
Matatu Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
9
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