(There Is) Nothing Like a Dane

IF 0.3 3区 文学 0 LITERARY THEORY & CRITICISM Critical Survey Pub Date : 2023-12-01 DOI:10.3167/cs.2023.350406
Kiki Lindell Tersmeden
{"title":"(There Is) Nothing Like a Dane","authors":"Kiki Lindell Tersmeden","doi":"10.3167/cs.2023.350406","DOIUrl":null,"url":null,"abstract":"\nThis article gives a brief account of the two-hundred-year-old performance history of Hamlet at Elsinore Castle; this is followed by a discussion of Gertrude as portrayed in nine English or English-speaking Hamlets at Elsinore, beginning with Olivier and the Old Vic in 1937 and concluding with Cape Town Theatre Company eighty-five years later, in 2022. The article discusses different aspects of how Gertrude (as seen through the prism of these particular Hamlet productions) has been portrayed on stage, drawing attention to the fact that, particularly in productions with a star actor in the title role, Gertrude has often been neglected, ignored or marginalised by the director, or else objectified and sexualised for the benefit of the audience: aged down, dumbed down or otherwise commodified.","PeriodicalId":56154,"journal":{"name":"Critical Survey","volume":" 60","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Survey","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3167/cs.2023.350406","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
引用次数: 0

Abstract

This article gives a brief account of the two-hundred-year-old performance history of Hamlet at Elsinore Castle; this is followed by a discussion of Gertrude as portrayed in nine English or English-speaking Hamlets at Elsinore, beginning with Olivier and the Old Vic in 1937 and concluding with Cape Town Theatre Company eighty-five years later, in 2022. The article discusses different aspects of how Gertrude (as seen through the prism of these particular Hamlet productions) has been portrayed on stage, drawing attention to the fact that, particularly in productions with a star actor in the title role, Gertrude has often been neglected, ignored or marginalised by the director, or else objectified and sexualised for the benefit of the audience: aged down, dumbed down or otherwise commodified.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
(没有什么)比得上丹麦人
本文简要介绍了《哈姆雷特》在埃尔西诺城堡两百年的演出历史;接下来是对埃尔西诺的九个英语版或英语版《哈姆雷特》中所描绘的格特鲁德的讨论,从1937年的《奥利维尔和老维克》开始,到85年后的2022年开普敦剧院公司结束。本文讨论了格特鲁德(通过这些特定的哈姆雷特作品的棱镜看到)如何在舞台上被描绘的不同方面,提请注意这样一个事实,特别是在由明星演员担任标题角色的作品中,格特鲁德经常被导演忽视、忽视或边缘化,或者为了观众的利益而被物化和性化:变老、变迟钝或以其他方式被商品化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
Critical Survey
Critical Survey LITERARY THEORY & CRITICISM-
CiteScore
0.20
自引率
0.00%
发文量
40
期刊最新文献
(There Is) Nothing Like a Dane Alienating Hamlet Västanå Teater's 1996 Hamlet Elli Tompuri's Female Hamlet, 1913 ‘|Y]oung Hamlet’
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1